On ‘Dichotomy’, Exterminas’ third release – their second full length – the Italian extreme metallers take the basics of black and death metal sounds and shake them by their foundations. The guitars and drums still attack at lightning speed, the voice – if it could be called as such – veers towards the rather typical growl, and yet there’s something within these eight tracks which suggests at least one band member has a couple of musical interests within the classical sphere. You won’t find any orchestrated parts, though; that sense comes rather more from the way the guitar riffs occasionally leap from the more typical speed and into intricate tunes that sound as if they’ve been mangled from melodies centuries old.
Monthly Archives: April 2016
BIGG – Lock Up Your Daughters EP
Risen from the ashes of Beat Magnets – a band who played at festivals and scored support slots with The Wombats – comes Bigg, a loud, guitar driven creation from Reading. Aside from influence from various UK indie bands, their debut EP brings a surprising amount of crunch and sometimes a heaviness that might just find them wandering into the worlds of other listeners previously not reached by Beat Magnets. Their music, although often accessible, sometimes has the same kind of hard and sulking attitude that’s present in their publicity photos for the release, where at least one member has decided on a facial expression that suggests someone has popped his favourite balloon.
SONS OF PROVIDENCE – A Conscious End To Suffering
Looking at the minimalist artwork and bleak choice of title, you’d be forgiven for thinking this 2015 release from Arizona’s Sons of Provedence would be a doom metal affair, but straight up doom metal it very much is not. For this release, the three piece band twist in all manner of directions, from chunky metal, electronica and goth sounds, through stuff that sounds almost Nick Cave esque… While the music can change wildly from track to track – and often within those tracks – the overarching theme of the album is exceptionally dark.
STRANGE MAJIK – Raised On Rock ‘n’ Roll
In an unexpected move on his 2015 release ‘Lights On’, Strange Majik – aka David Pattillo – cast aside the raw blues of his band The Dead Exs for a deep voyage into funk and soul textures. The results were the very definition of “mixed bag”; while the music was often great, the variety of vocalists – and, rather more specifically, the inclusion of rap elements – meant some tracks worked far better than others, and it didn’t always connect with his existing fans. Taking a musical sidestep on 2016’s ‘Raised On Rock ‘N’ Roll’, it seems Pattillo has taken a long hard look at his musical past and crafted a record from the best of his findings. In many ways, it is the missing link between The Dead Exs and the first Strange Majik project. The funky edge and some soul aspects from ‘Lights On’ are firmly present, but the rap is cast aside. The end results firmly grasp the Santana-ish and Funkadelic grooves from that LP, but fuse them with a little blues and rock along the way…and with Pattillo handling all vocal duties, everything sounds like the funked up cousin of The Dead Exs, with some hard grooves delivered by a crack selection of back-up musicians.