REAL GONE GOES OUT: Skid Row – Shepherd’s Bush Empire, London 11/3/2018

t’s been an uneven experience at Shepherd’s Bush Empire tonight. Both Toseland and Bad Touch have offered enjoyable support slots, even if hampered a little by bad sound. Toseland, in particular, have shown they really know how to fill a half hour effectively, with frontman James Toseland coming across very jovially. He’s so likeable that it doesn’t matter or not whether you’re familiar with the material, you’ll have a good time regardless. The evening’s first credited headliner, Night Ranger, were largely awful: not so much classic Night Ranger of old as the Jack Blades Show with support from Kelly Keagy. Their set was ruined further by the worst sound we’ve encountered at a large venue for a number of years…if not ever.

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REAL GONE GOES OUT: Night Ranger – Shepherd’s Bush Empire, London 11/3/2018

This evening at Shepherds Bush Empire has been billed as a double headline show between Night Ranger and Skid Row. However, it isn’t long after Night Ranger take the stage, it becomes clear that the event is nothing of the sort. Night Ranger’s set design is limited to a few extra Marshall amplifiers which are placed in the middle of the stage, rather than at the back. Kelly Keagy’s drumkit looks awkward, placed on stage left (audience right) and facing towards the middle rather than facing the audience. The band, in turn, are only given about three quarters of the stage to work with. Somewhere behind the amps, Skid Row’s drum kit sits in wait. So much for “double headliner”: Night Ranger have been given a support band’s set up – and that’s before we get to the massive issues with the sound.

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REAL GONE GOES OUT: Saint Etienne – Shepherd’s Bush Empire, London 9/12/2017

It’s approximately 9pm on a very cold December night. It’s freezing outside and also decidedly chilly inside the Shepherd’s Bush Empire. The audience are shuffling around with a casual indifference. We’ve all just been bored to tears by the night’s support act, The Clientele, who appear to have played the same bland dreampop/indie tune ten or eleven times. Judging by the lack of atmosphere on stage and the rambling tunes punctuated by the occasional monosyllabic “thanks…”, the performers seemed just as as bored by their own music. [In retrospect, while they were devastatingly dull, it was easy to see why they were chosen. They weren’t the worst support act ever – that honour will forever be owned by Patrik Fitzgerald – they were just very boring.]

Saint Etienne are about to take the stage, though, so surely things are about to get much better. The minutes pass and a selection of kitschy tunes – almost certainly curated by Saint Et’s own pop historian Bob Stanley – fills time. As it happens, this is all more entertaining than The Clientele. and worthy of an easily accessible Spotify playlist. Saint Etienne founders, Bob Stanley and Pete Wiggs, along with various other musicians, eventually saunter on stage at a rather casual 9:25, followed by vocalist Sarah Cracknell.

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REAL GONE GOES OUT: The New Pornographers – Shepherds Bush Empire, London 2/12/2014

On November 21st, London’s Shepherd’s Bush Empire played host to arguably one of the best and most energetic gigs of 2014 when various forty-somethings said goodbye to their youths and goodbye to Carter USM at the first of their two farewell shows.  Barely a week and a half later, the atmosphere in the venue couldn’t be any further removed from that particular gig, when – on a particularly cold Tuesday night – a sparser crowd gather to see Canadian music collective The New Pornographers promoting their sixth release ‘Brill Bruisers’ with support from the relatively unknown Mini Mansions.

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Hello, Good Evening, Welcome…and Goodbye: A Final Farewell to Carter The Unstoppable Sex Machine

Carter USM logo

It is October 21st 1993.  An ordinary autumnal evening for many, but for two lads from Kent this is a Thursday night like no other. For these two – at this point aged approximately 17 and 19 and only some six weeks into a friendship– this is to be a very momentous occasion.  For both, it is a first gig experience and they are going to see Carter The Unstoppable Sex Machine, a band with somewhat of a cult following. By this point, Carter USM – still a duo with drum machine and a world of pre-programmed trickery – have scored a run of hit singles and have four hit albums under their belt – including a number one. They’ve rugby tacked Phillip Schofield on live TV (a man still young enough to care about dying his hair) and only within the last couple of weeks have appeared on the long running chart showcase Top of the Pops.  Indeed, the very idea that this band would venture into the middle of Kent and play a show in a leisure centre seems like a visit from music royalty. Almost surreal– especially in the eyes of these two teenagers, keen to immerse themselves in a world of live music – but here they are, ready to promote their current full-length release, Post Historic Monsters.

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