On February 14th, progressive death metal band From Under Concrete Kings will release their second EP, ‘Modus Exodus’. The new release features four absolutely crushing pieces of music that blends death metal vocals with metalcore and progressive metal riffs, Djent influenced lead guitar work and a frightening lack of boundaries. It’s a release that all fans of inventive and extreme metal shouldn’t miss.
Every once in a while, a track comes along that is incredibly forceful, but it’s the combination of riffs and images that makes for that unbelievable sucker punch. Rarely since the release of Jobs For A Cowboy’s ‘Tarnished Glutttony’ in 2012 – with its themes of death and guilt – has a video made such an instant impact as Death On Fire’s ‘Architects’.
Based in London, The Bloody Mallard mixes metal riffs with post rock ideas, while occasional elements of dark psychedelia inform a broad and progressive instrumental sound.
Next month, thrash metal titans Kreator will release a new live album celebrating their October 2018 headline show at London’s Roundhouse.
The appropriately titled ‘London Apocalypticon – Live At The Roundhouse’ will be released on a variety of formats. The standard retail edition includes a blu ray and CD soundtrack of the full show and promises to be as good as Nuclear Blast’s similar Overkill live set from 2018.
Since David Bowie’s passing in January 2016, the love for the man and his music has continued to grow. People across the internet have continued to debate the merits of his extensive back catalogue with a fervour that’s only really matched by the Beatles and Pink Floyd fans. Albums like ‘Hours…’ have been revisited and reappraised; new remastering of 1977’s ‘Low’ has caused controversy and ‘Blackstar’ has continued to astound and upset with its thinly veiled messages of mortality and dabblings with jazz-rock fusion. Few artists have delivered such a diverse and impressive parting gift.