Following a gig with Soundgarden in Detroit on 16th May 2017, vocalist Chris Cornell passed away. The cause of his death in the hours that followed remained a mystery. At only 52 years of age, Chris potentially had a lot more to give, both in his songwriting and powerful sense of performance, both on record and in the live setting.
Few musicians hope they will be in the spotlight for fifty years and even fewer expect to spend that long with the same band. For guitarist Rick Parfitt, of course, this was pretty much the case. The young Richard Parfitt joined the fledgling Status Quo (previously called The Spectres) in 1967. His friendship with Francis Rossi now more than cemented, they both became committed to the band, which from 1967 scored hits across the bulk of the next five decades.
There are so many things that could be said about Prince, it’s almost impossible to put anything into words. The man was a firecracker of creativity; one of the most prolific artists the world has ever seen. He was an enigma. He was a man whom, in live performance, never seemed to do the same thing twice. Love Prince, or hate him, he was unique. Here was one of the world’s last true untouchable megastars whom, even in the twilight of his career, never played it safe or by the rules. It made him infuriating; it made him bizarrely entertaining, but above all, it made him so different.
Few figures were as influential within popular music as David Bowie. He not only knew how to pen distinctive songs, oft delivered with an even more distinctive vocal style, but he understood more than most that, to survive, constant reinvention was utterly necessary.
Pretty much no-one would have guessed that from David Jones’s first musical steps with R&B and his bands The King Bees and Lower Third, he would soon reinvent himself as a flippant music-hall act on his much overlooked ‘David Bowie’ debut of 1967. There’s even less there to suggest that the glam rock starman Ziggy Stardust’ was lurking around the corner preparing himself for world domination.
“I don’t do regrets. Regrets are pointless. It’s too late for regrets. You’ve already done it, haven’t you? You’ve lived your life. No point wishing you could change it.”
From his breakthrough with Hawkwind in the late 60s, Lemmy was a man who lived with little to no compromise, reinvented how the bass could be played and gave us music that would endure the ages. While his formative years with Hawkwind would shape him as a musician, it was with his own band Motörhead he would change the face of rock music. Black Sabbath had laid the foundations of metal with heavy monolithic riffs, but Lemmy bought speed and no-nonsense aggression, without which we would never have had any of the 80s thrash or hardcore metal that followed. In Lemmy’s vision, of course, it was all one thing: rock ‘n’ roll. He just played it faster and louder than his heroes and predecessors and set a new benchmark in the process.