Likened to early Replacements meeting with Johnny Thunders, the Dogmatics were very much a cult band on the Boston rock ‘n’ roll/power pop scene in the 80s. During their original run, they toured with Dinosaur Jr., The Bangles, Hoodoo Gurus, The Fleshtones and dozens of other well known rock bands. Tragedy struck in 1986 when bassist Paul O’Halloran died in a motorbike accident and with just two studio albums to their credit, the band called time on their short career. [A twenty track anthology, ‘1981-86’, brings together twenty Dogmatics recordings and is the ultimate primer for anyone unfamiliar with their work.]
It’s been well known for a while that Molly Tuttle is one of the biggest and brightest talents among young artists in the Americana scene, but the couple of tracks that have been released ahead of her covers album shows how well she’s able to adapt her talents to other people’s material. We’ve already heard her interpretations of Grateful Dead and Neil Young songs, but here is something unexpected…and quite special.
The fashion for bands playing “complete album” live shows presents a double edged sword. On the negative side, this robs fans of the excitement and mystery of what the night’s setlist might bring. On the plus side, such a practice means that long neglected gems are given a live airing. In the case of Blue Öyster Cult’s ‘45th Anniversary: Live In London’ the latter definitely applies. Not only is their debut record is a stone cold classic, but it features several tunes that aren’t necessarily regular fixtures in their live sets, which lends this recording an instant vitality.
It’s hard to underestimate the impact Slade had in their prime. With their hybrid of hard rock volume and glammy kitsch they spent a huge amount of time in the UK top 40 between 1972-1984 and they were a phenomenal live act.
They’ve been fired and they’ve got lost…and now they’re bored. Finding themselves in this situation having been worn down by the corruption of US politics and months of isolation during a global pandemic, The Radio Buzzkills have filled some time recording an EP of covers. It may be a stopgap until live performances resume, but it’s anything but tossed off. In fact, the five tunes draw from a wonderfully broad musical palate, which the Buzzkills remould into high energy slabs of pop-punk that you’ll definitely love if you’ve had any time at all for their previous work.