The End Machine’s 2019 debut for Frontiers Records presented almost an hour’s worth of classic sounding hard rock. Its sound was exactly as you’d expect from a couple of musicians associated with Dokken and the ex-vocalist from Lynch Mob. It’s higher octane tracks gave George Lynch every opportunity to hammer his fretboard, while the darker and slower workouts put bassist Jeff Pilson squarely in the spotlight. Most importantly, a lot of the numbers wielded huge choruses to great effect, often giving vocalist Robert Mason (ex-Cry of Love/Warrant) plenty to work with. In terms of melodic metal, it was a great disc – certainly much better than Dokken had managed in a few years.
As one of Britain’s best loved AOR bands, FM have always had a strong live presence. Whether headlining their own show, or playing halfway down the bill at a classic rock festival, fans are almost guaranteed a great performance. Part of the greatness comes from Steve Overland still being in possession of a great voice, but their back catalogue is also incredibly strong. Unlike some classic rock acts who clearly go through the motions on record and have their best days behind them, FM’s 2020 release ‘Synchronized’ was one of their best to date. Almost thirty five years after the release of their debut, they still sounded like a band with lots to give.
After releasing several singles and EPs, US punks Ravagers are gearing up to release their first full length album. ‘Badlands’ is due for release at the end of the summer. That seems like a long time away, but in the meantime, the band have a new treat for you.
After a fairly devastating year, 2021 got off to an equally wobbly start due to a global pandemic still dragging its heels and refusing to leave. With no sign of big UK gigs returning any time soon and a lot of smaller, DIY bands really missing being on stage, everyone turned to Bandcamp and other similar websites for continued entertainment.
On the plus side, this has kept Real Gone busier than ever. The first quarter of 2021 has been our busiest to date, with bands and labels approaching us by the hundred, looking for good quality coverage.
By crediting themselves as “garage pop from the desert”, French Girls instantly disarm the listener by suggesting there will be an obvious pop (or power pop) element to their sound. On this self-titled EP from 2021, any allusions to making obvious pop sounds are fleeting and most sugary melodies are quickly kicked to the kerb with a hefty amount of distortion. Although you will find an occasional nod to Phil Spector girl groups, such moments are delivered with a massive sneer. This EP is raw, attitude filled and sometimes ugly. From a garage punk perspective, it’s also brilliant.