The Real Gone End Of Year Round-Up, 2025

We’ve reached the end of another year, and for Real Gone, 2025 was a special one. Not only did we celebrate our sixteenth year online, but we gained a truckload of new and regular supporters – both from an industry perspective and in terms of regular readership. Our visitor stats have seen a huge increase on 2024, and the materials we’ve been sent for review have been more varied than ever.

We’ve heard a lot of enjoyable albums and EPs over the past twelve months, but as is traditional, we’ve whittled our favourites down to ten, and then given a well deserved shout out to a few titles we think are also worth checking out. As always, our picks for the best of the year are limited to releases we actually reviewed – it’s only fair. We hope you’ll check out some of the artists and releases featured below, if you’ve not already done so.

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THE BLACK KEYS – No Rain, No Flowers

The Black Keys’ thirteenth studio album ‘No Rain, No Flowers’ finds Dan Auerbach and Patrick Carney taking a massive musical detour. The bulk of the material finds the duo in a light mood, from a musical perspective. There are a few recognisable guitar lines along the way; a familiar sounding musical hook or two, but in the main, the album stands as their grand adult pop-rock opus. Part of this shift will be, no doubt, due to enlisting pop producer Rick Nowels for both musical and technical duties, along with other collaborators from outside of the garage rock and blues field. This isn’t a move that’s likely to please some of their hardcore fans, but it could win them new supporters on this leg of their already long journey since, although very little of ‘No Rain’ sounds like classic Black Keys – at least on the surface – its songs are brilliantly arranged, and some of the “poppier” elements show off a great finesse.

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