Towards the end of 2023 Seattle based punk ‘n’ roll band The Drowns released ‘1979 Trans Am’/‘Just The Way She Goes’, a double A-sided disc designed as a preview for their next long player. On those terms, it did an excellent job, since one track shared their gruff and ballsy rock sound driven by gravel edged vocals, and the other tapped into more accessible pop punk. It effectively showed off both of The Drowns’ musical extremes in one hit.
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STRANGE MAJIK – NYC Animal
In 2016, David Pattillo released ‘Raised On Rock N Roll’, his second album under the Strange Majik moniker. The record cast aside all of the rap elements from the debut, and some of the funk, but in playing like a journey through the best 70s record collection in the world, its strong influences from Leon Russell, The Allman Brothers Band, Sly Stone and Todd Rundgren showcased a musician with great taste and a very broad talent.
SILVEROLLER – At Dawn
With its stomping rhythm, massive glam rock infused guitar chords and rousing vocal, Silveroller’s debut single ‘Hold’ immediately marked out the band as one to watch. There wasn’t anything particularly unique about the track, but it was a near perfect example of great musicians taking an old sound and recycling it with a lot of charm. With that followed by the mellow ‘Come On, Come In’ showcasing the flip side of the Silveroller sound, there was definitely a feeling that their upcoming debut EP might be something rather special.
SUN ATOMS – Ceiling Tiles / Tower Of Song
On their 2021 LP ‘Let There Be Light’, alternative rock band Sun Atoms shared some great music. That record’s quieter and more downbeat moments blended elements of goth pop with a very retro guitar twang, often falling somewhere between the classic, introspective songwriting of Leonard Cohen and the more contemporary moods of Tindersticks. When approaching busier sounds, the material mixed light electronica with spoken word passages. With other moments utilizing muted trumpets and very retro sounding backing vocals, the album was a pleasingly varied listening experience.
Listen: The Fierce And The Dead unveil new Colin Edwin version of ‘Golden Thread’
Every new Fierce And The Dead album is different from the one before. It’s what keeps the band vibrant and interesting. However, they’d never taken a musical leap quite as bold as on their 2023 album ‘News From An Invisible World’. A lot of the music felt more commercial – without being commercial – and a few of the riffs steered away from the heavier moments of the previous fan favourite ‘The Euphoric’. A much bigger change came with the addition of vocals. This new song-oriented Fierce/Dead could still summon the sound of a riff-based truck if and when required, but Kev Feazey’s voice brought a whole new dimension from which the band would surely grow further.