Fiona Brown is a singer-songwriter songwriter whom – by her own admission – absorbs many influences into her work. On her 2016 EP ‘Demons’, there’s a little rock and pop, nods to things of a more soulful nature and more besides, but never in a way that makes the release sound like a directionless show reel of her talents. She prefers instead not to separate the influences too much. You could experience any one of them at any time and often within just one track. but perhaps best of all, though, her songs are cloaked in a shroud of darkness. Never a “woe is me” self pity, but a genuinely dark quality that informs the heart of her best tunes.
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Listen to a new track from Tokyo Tea Room
In 2016, Kent based psych/dreampop band Tokyo Tea Room made underground waves with their live shows and debut cassette. Drawing influence from lots of early 90s artists, their sound showed great promise, with vocalist Beth Plumb’s angelic vocal style in sharp contrast to the drone of the guitar lines. In a handful of tracks, the band set themselves up as one to watch – a rival to Ireland’s Elastic Sleep for dreampop/shoegaze goodness.
At the beginning of 2017, a new track began to circulate. This, too, very much cements TTR’s place as bright lights on an underground scene. You can hear ‘World’s Away’ in full via the Soundcloud link provided below. [Watch the video clip for ‘Sleep’ here.]
SUN HOLLOW SUN – Before We Ever Met EP
Sun Hollow Sun’s first release – 2013’s ‘No History’ EP – presented four enjoyable pieces of semi-acoustic roots music. With clean guitar work and easy harmonies, a touch of jazziness to the lead vocal and a set of well written songs, they not only set upon a timeless style but also showed they had the chops to take on more established acts. Three years on, the ‘Before We Ever Met’ doesn’t really meddle with that formula but, if anything, does an even smarter job.
SPACEBEAST – Spacebeast
Imagine what Melvins might sound like if they played in a huge aircraft hanger, its empty space echoing each note and increasing the overall intensity. Or perhaps you took Cathedral and Down LPs and played them back at about 15rpm. That’s kind of the effect that you’ll get from hearing this five tracker from Portland sludge merchants Spacebeast for the first time.
CANKER BLOSSOM – That’s So Killer
When a band advertises themselves as Ramonescore, you know almost exactly what you’ll get. Four chords, short songs and a fairly carefree attitude, resulting in something that – at best – resembles the second Ramones LP (the peerless ‘Leave Home’), or – at worst – ends up a lo-fi, tossed off approximation of Joey and Johnny that never quite works out. Baltimore’s Canker Blossom are not the best band you’ll ever hear. On the fraudulently titled ‘That’s So Killer’, they’re rarely inspiring.