Electric Children’s 2022 single ‘Triste Journee’ was an interesting recording. It featured prominent garage rock guitars, punchy keyboards that drew as much influence from novelty horror rock as much as 60s fare from the likes of Question Mark and The Mysterians, and topped that with a muli-lingual lyric that further escalated their slightly trashy vibe. It was certainly nothing like you’d expect from an act being promoted with the stoner rock/desert rock label. Their 2024 single ‘Scene of The Crime’ gave more of a stoner link due to a guesting Nick Oliveri, and although the recording was driven by fuzzy riffs with the tone of Queens of The Stone Age in a particularly punchy mood, the end result, again, owed a little more to garage rock. Shouting gang vocals and a massive drum sound invited stronger comparisons with a ‘Tomorrow Hit Today’ era Mudhoney, but labels aside, it was a huge step forward and an indicator of potentially great things ahead from this band.
Tag Archives: rock
THE REAL GONE SINGLES BAR #105
With two very different jazz numbers, a slice of alternative metal with a theatrical quality, a strong offering from a cult singer-songwriter and a track that’s practically uncategorisable, the selection for this Singles Bar adopts a little more of a “go hard or go home” approach. By casting a light on a couple of the more adventurous tracks from the last couple of weeks, this bunch of tunes might take a little longer to make an impression, but we feel that every one of these artists is bringing something of great interest to the table. What’s more, it’s probably just the beginning of a great, creative period for some of the featured performers, whether genuinely attempting to push boundaries or choosing to share some solidly familiar riffs. As always, we hope you find something new to enjoy!
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THE CHELSEA CURVE – Jamie C’mon (Andy Lewis Remix) / Hey Sah-Lo-Ney
Across a series of digital singles in 2021, Boston’s The Chelsea Curve delivered a bunch of top notch tunes. At their best, the tracks sounded like unreleased gems by the likes of Pearl Harbor & The Explosions and Holly & The Italians put through a mod-ish filter, such was the band’s knack for hitting the listener with a world of classic riffs and big, very retro hooks.
THE REAL GONE SINGLES BAR #104
This visit to the Singles Bar marks the second anniversary of the popular column. Something that started as an experiment with a plan to share a few tracks every month immediately sprang into life as a weekly fixture, and it pretty quickly became an important part of Real Gone’s coverage. Helping us mark this occasion, we’ve got new tracks from a couple of familiar names; a smart piece of indie rock; a brilliant shoegaze influenced number, something with bluesy leanings, and more besides. This varied selection really captures the spirit of the Singles Bar at its best…and as always, we hope you find something new to enjoy. Thanks for your ongoing support over the past couple of years, everyone. There are many more SB’s to come!
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STATUS QUO – Quo…Live!
Issued in 1977, Status Quo’s first official live album, ‘Quo…Live!’ has long been a favourite among fans. Completely without any overdubs – a rarity for a live album from the era – its raw and dirty sound captured The Frantic Four line up in the most natural way possible, and for years held its place as the definitive record of the ‘Blue For You’ tour. The much-missed Rick Parfitt shared the fans’ enthusiasm for this rough and ready recording, but Francis Rossi disagreed. Rossi has also thrown a spanner in the works regarding the official word that the original 2LP set was sourced from the best performances captured during a three night stint at the Glasgow Apollo in October ’76, claiming that when the time came for the track selection, they “just picked the first ones”. This statement has led to a little confusion over the years, as to whether he meant “first” as in “chose the performance from the 27th October in its entirety”, or “chose the first versions of each of the thirteen tracks [he and Rick] were played”.