Tag Archives: rock

THE REAL GONE SINGLES BAR #124

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individal tracks that have appeared in our inbox over the last few weeks. This time out, there are a couple of familiar faces, but their return visit to the SB ensures a genuine variety, genre-wise. Among other things, we’ve got a dance infused banger from a fantastic underground electronica act, a couple of country influenced tunes, and even a slab of metal that takes a rather unexpected turn! As always, we hope you find something new to enjoy.

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ALAN WHITE – Ramshackled

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Taking some well earned time between band projects in 1975, the five members of the then current Yes embarked on solo ventures. As you’d expect, each release had elements which tipped the hat towards the mothership – especially strongly in the case of Chris Squire’s excellent ‘Fish Out of Water’ – but the freedom of writing alone and working with other musicians also brought a fresh angle. When heard as a whole volume of work, those five albums – Squire’s ‘Fish…’, Jon Anderson’s fanciful ‘Olias of Sunhillow’, Steve Howe’s underrated ‘Beginnings’, Patrick Moraz’s ‘I’ and Alan White’s ‘Ramshackled’ – make for an interesting listen. In some ways, the finest elements from each can be cobbled together to make a great Yes album that never was.

Predictably, the releases from Anderson, Squire and Howe all achieved UK success upon release, charting at #8, #25 and #22, respectively. Moraz’s rather complex ‘I’ has gained cult status over the passing decades, but White’s sole venture has often been considered the runt of the litter.

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Premiere: Rattle Bones share new video for ‘Forevermore’ ahead of their album release

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In June 2025, US rockers Rattle Bones released ‘Desert Heart’. The single marked a slight shift from their usual sound, since they traded in some of their hard rock swagger for a smoother approach which introduced a pinch of Americana to the Rattle Bones musical blend. It may have not had as much of an edge, but from a songwriting and arrangement perspective, it was a single that suggested the band’s forthcoming album would definitely be worth checking out.

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Listen: Beat Me Outta Me have ‘Nowhere To Hide’ on new track

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The second single from Peterborough’s Beat Me Outta Me is a pleasingly downbeat affair. It’s first two minutes comprises slow, acoustic strums and a mournful vocal, drawing the ear very casually. The music isn’t exactly minimalist, but has certainly been arranged in such a way that the listener is made to focus almost exclusively on Annie Dickson’s fantastic voice. This is a smart move; from the outset, she shows an ability to weave a fantastic, almost mournful tone that suits the arrangement perfectly.

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LUNISON – Fakepink

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Lunison’s debut EP ‘See Me As A Friend’ – released in 2024 – presented five tracks where a rock sound was twisted into some very interesting shapes. Its key cuts showed how varied the band could be: ‘Name 3 Songs’ managed to open with a riff that mixed garage rock and an almost post-grunge dirtiness, only to turn that on its head with a huge, melodic chorus full of ringing guitars sounding like a throwback to a great Gin Blossoms tune; ‘Smile, Cruel World’ borrowed from a couple of The Black Keys’ more groove-centric numbers, but added a more melodic vocal, again, calling back to a world of 90s pop-rock sounds, and ‘Velcro’ introduced a reverbed, 50s guitar twang in places, which set against a pumping bass and harmony vocals ended up sounding like a funky take on something from Arctic Monkeys ‘AM’.

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