This visit to the Real Gone Singles Bar sees the return of a couple of familiar names – including one that should be known to almost everyone. The choice of music, of course, should be new to most people’s ears. We’ve got a well arranged indie pop number, some fantastic sounding goth-rock, another country tune from a brand new face, and even a really strong world music offering. With tunes covering a broad spectrum of sounds, we hope you’ll find something new to enjoy!
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As we head into the final quarter of 2025, it’s time to take a moment to look back over the past few months. It’s been a great time for new releases — especially on an underground level — and, as a result, we’ve been insanely busy at Real Gone.
Tipped as “one of Belfast’s fastest rising bands”, Franklin are definitely a band to watch out for over the coming months. Last year’s single ‘Bebby’ introduced a tight music unit with its combination of pumping basslines contrasted with overdriven, choppy guitar lines that captured the ghosts of The Skids and really early U2, crossed with the slightly more abrasive edges of early Franz Ferdinand. The blend of power and melody showcased an amazingly tight band on this track, but by throwing an old school lead guitar break into a pleasingly angular workout also advertised a band who might be unafraid to take a swerve into the unexpected. What’s more, a full live set from Bennigans in Derry (captured with a very professional multi camera set up) showed a band who were far more than studio based marvels.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individal tracks that have appeared in our inbox over the last few weeks. This time out, there are a couple of familiar faces, but their return visit to the SB ensures a genuine variety, genre-wise. Among other things, we’ve got a dance infused banger from a fantastic underground electronica act, a couple of country influenced tunes, and even a slab of metal that takes a rather unexpected turn! As always, we hope you find something new to enjoy.
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Taking some well earned time between band projects in 1975, the five members of the then current Yes embarked on solo ventures. As you’d expect, each release had elements which tipped the hat towards the mothership – especially strongly in the case of Chris Squire’s excellent ‘Fish Out of Water’ – but the freedom of writing alone and working with other musicians also brought a fresh angle. When heard as a whole volume of work, those five albums – Squire’s ‘Fish…’, Jon Anderson’s fanciful ‘Olias of Sunhillow’, Steve Howe’s underrated ‘Beginnings’, Patrick Moraz’s ‘I’ and Alan White’s ‘Ramshackled’ – make for an interesting listen. In some ways, the finest elements from each can be cobbled together to make a great Yes album that never was.
Predictably, the releases from Anderson, Squire and Howe all achieved UK success upon release, charting at #8, #25 and #22, respectively. Moraz’s rather complex ‘I’ has gained cult status over the passing decades, but White’s sole venture has often been considered the runt of the litter.