THE PINEAPPLE THIEF – Dissolution

For a few years, it seemed as if Bruce Soord’s Pineapple Thief would always be a genuine underground band. Then, with the release of ‘Tightly Unwound’ gaining favourable press in 2008 and 2010’s ‘Someone Here Is Missing’ being compared to Porcupine Tree, the band made a huge leap forward in the world of cult prog rock. From then on, each release has been eagerly awaited by fans and critics alike and The Pineapple Thief have truly carved themselves a place in the annals of thoughtful rock music.

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Esoteric Recordings pre-Xmas sale – Prog bargains galore!

As part of Cherry Red’s “12 Days of Christmas” sale, Esoteric Recordings are offering a 20% discount on a selection of their finest titles over the next few days.  It’s a great chance to plug a few holes in your collection, or perhaps treat yourselves to a Christmas present or three.

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Cherry Red Records Pre-Christmas Sale: Plenty of classic rock and prog rock titles available at discounted prices!

In the run up to Christmas, the folks at Cherry Red Records are running a mega sale on selected box set and vinyl items.

As with their Black Friday weekend sale, the discounts are applied to a selection of superb progressive rock titles and classic rock items, some of which are not to be missed.

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PROCOL HARUM – Procol’s Ninth

For many listeners, Procol Harum’s legacy centres around their first three albums (1967’s ‘Procol Harum’, 1968’s ‘Shine On Brightly’ and 1969’s ‘A Salty Dog’) and the evergreen classic single ‘A Whiter Shade of Pale’. Indeed, that would have been enough to secure them a place in the rock history books, but the ever prolific band released a further six albums between 1970 and 1977. While these albums were destined to only be heard by the more faithful fan, each one provided a selection of highlights, and while 1975’s ‘Procol’s Ninth’ doesn’t seem too inspirational in terms of either title or sleeve art, it is certainly no exception.

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GREENSLADE – Bedside Manners Are Extra

Greenslade’s self-titled debut from February 1973 introduced the world to an intricate world of double keyboard led prog, peppered with occasional elements of jazz fusion. It was by no means a perfect record – some of the tracks seemed over complicated for the sake of it and the production wasn’t as crisp as it could’ve been – but it gave the band something solid on which they could build, and just nine months later they returned with a follow-up. Released in the November, ‘Bedside Manners Are Extra’ is superior at almost every turn. Keyboard player/singer Dave Lawson mightn’t have the best voice in the world and occasionally the lack of guitar can be jarring, but the arrangements throughout the album are enough to make it stand up. Decades on, it’s easy to see how ‘Bedside Manners’ is a landmark recording for Dave Greenslade and really helped to make a name for the band in progressive rock fan circles.

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