JOE GENI – Cities Built Upon Cities

When a promotional blurb suggests an artist is influenced by music as diverse as The Police, DJ Shadow and Claude Debussy, it’s hard to know what to expect. Is this record label hype? Is it a case of a performer clutching at straws, hoping that something will attract the potential listener? When it comes to singer songwriter Joe Geni, such wild claims…really aren’t so wild. His 2021 album ‘Doggerland’ offers a mad hybrid sound where the mood lurches all over the place. Just exploring the track ‘Superbloom’ in isolation, Geni takes the light Afro rhythms of Peter Gabriel tunes like ‘Mercy Street’ and fuses them with a bit of electronica, then adds a huge vocal that occasionally sounds like something David MacAlmont would turn into an absolute showstopper. Then, there’s the lengthy ‘Eyes Like The Ocean’ which bends what would’ve been a great pop-rock sound – akin to a moody deep cut from Sting – and adorns that with an almost trip-hop like atmosphere.

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MORPHEUS PROJECT – On The Edge

Masterminded by Mustapha Khetty, the Morpheus Project involves a revolving cast of musicians helping to bring his songs to life. This seven track release follows 2021’s ‘Mosaick’ and brings another concept album into the world, and its songs happily shift between classic rock, AOR and melodic metal, showcasing the fact that Khetty’s compositional skills – although shamelessly retro – straddle a broad spectrum of rock styles. That freewheeling approach means that ‘On The Edge’ could be the kind of album that’ll strike a chord with lovers of the pompier elements of bands like Asia at times, but those fans are unlikely to enjoy the more metallic output, whilst those who like a big helping of proggy metal are unlikely to gravitate towards the more 80s aspects of the album. In trying to please both camps, Khetty risks pleasing no-one in the long term – and that’s a pity, as there’s some fine musicianship and a few strong melodies here.

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THE REAL GONE SINGLES BAR #20

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. For this twentieth selection, we bring you some light electronica with a souful feel, some sprawling prog rock, a brilliant cover tune, and more besides. As always, we make no apologies for the broad range of styles featured, and we hope you find something to enjoy.

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THE REAL GONE SINGLES BAR #10

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. There’s no shortage of good music in the world, and this week, we probably could’ve put together three selections of the decent singles that have been sent our way. However, here’s another batch of the usual amount, and these eight top flight digital tracks take in the usual array of rock, metal, singer-songwriter fare and even something with a shameless pop core. If you like what you hear, don’t forget to check out the artists’ works further, or perhaps even backtrack to previous Singles Bars you might have missed along the way – there’s even more good music to be discovered!

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STRAWBS – The Magic Of It All

The Strawbs’ 2021 release ‘Settlement’ featured some fine music from the veteran musicians. Decades into their journey, it was possible for fans to experience Dave Lambert channelling Ant Phillips via some fine acoustic work, and moments where floaty, prog-ish arrangements lent the best material a thoughtful quality that really suited the band. Unfortunately, most of the album was rendered borderline unlistenable due to terrible vocals from Strawbs main man Dave Cousins. At best, he sounded like a ravaged old folkie – his voice worn by the years of musical storytelling; at worst, an asthmatic goblin, gargling with intent to sabotage the work laid down by his musical cohorts. It was the kind of album that all but the most diehard of Strawbs fans would spin three times and move on.

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