MORPHEUS PROJECT – On The Edge

Masterminded by Mustapha Khetty, the Morpheus Project involves a revolving cast of musicians helping to bring his songs to life. This seven track release follows 2021’s ‘Mosaick’ and brings another concept album into the world, and its songs happily shift between classic rock, AOR and melodic metal, showcasing the fact that Khetty’s compositional skills – although shamelessly retro – straddle a broad spectrum of rock styles. That freewheeling approach means that ‘On The Edge’ could be the kind of album that’ll strike a chord with lovers of the pompier elements of bands like Asia at times, but those fans are unlikely to enjoy the more metallic output, whilst those who like a big helping of proggy metal are unlikely to gravitate towards the more 80s aspects of the album. In trying to please both camps, Khetty risks pleasing no-one in the long term – and that’s a pity, as there’s some fine musicianship and a few strong melodies here.

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LALU – The Fish Who Wanted To Be King

Previously the keyboard player with Shadrane and Hubi Maisel, Vivien Lalu formed his eponymously named band in 2004. The idea was that the band would approach prog in a very unrestrained way, and also add contemporary elements to keep things interesting. Considering a lot of prog metal in the mid noughties seemed to consist of stuck-in-a-rut Dream Theater-isms – especially from DT themselves – and so much prog relied upon obvious influences, Lalu’s desire for a bigger and more interesting musical canvas wasn’t unwarranted. Of course, there were a few freewheeling, pioneering spirits then – not least of all Devin Townsend, always marching to his own drum – but prog metal definitely needed new blood at that time.

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SUNS OF THE TUNDRA – The Only Equation

Back in 2005, prog metal band Suns of The Tundra came to the attention of several die-hard Marillion fans when they supported Kino – a short lived musical project shared between Pete Trewavas and future Lonely Robot man John Mitchell – on their one and only tour. They immediately struck a chord with any Tool fans in the audience, but then seemed to disappear. Taking a decade long break between their second and third albums really didn’t help their career momentum, but from 2015, the band have worked steadily, creating interesting and rhythmic noises that add something of great interest to the UK scene.

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PYRESHIP – Light Is A Barrier

As far as most people will be concerned, Pyreship first appeared on the sludge metal scene in 2017 when their ‘Liars Bend Low’ album appeared on Bandcamp. Its five murky sounding tracks immediately signified the band as masters of some of the dirtiest riffs, but for those paying closer attention, the material also suggested a keen interest in wandering, dark atmospherics which – in the hands of talented musicians – might just take their uncompromising noise into more interesting places in the future.

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