It’s a bright evening in Margate and the seafront is buzzing. There’s a massive crowd outside of the local Weatherspoon pub, and a lot of pork pie hats on show. It’s even busier than usual, but with good reason: Madness are in town. After a couple of postponements due to the pandemic lockdown, they’ve finally arrived in the legendary seaside town. What’s more, they’ve now got a better show in tow. The ever popular band are currently riding high with a number one album ‘Theatre of The Absurd Presents C’est La Vie’, proving there’s far more to the “Camden Nutty Boys” than treading on the cheap coattails of nostalgia.
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MADNESS – Keep Moving
Although primarily thought of as a ska outfit (and often dismissed as a “bit of fun” and a novelty band), over the course of six album releases between 1979 and 1985, Madness showed their musical palette was far broader than that of their early ska revival peers. In fact, from their third album (‘7’) onward, Camden’s favourite sons all but ditched their ska roots and continually moved forward, crafting a unique brand of pop music along the way. With each passing album, it’s possible to hear the band becoming more comfortable in their shoes as pop’s master craftsmen, and parts of their fifth album, ‘Keep Moving’ (released in 1984), arguably captures the post-ska Madness at their finest.