THE REAL GONE SINGLES BAR #160

Welcome back to the Real Gone Singles Bar, the place where we explore some of the best individual tracks to land in our inbox over the past few weeks. This time around, we’re thrilled to share a long overdue return from a power pop legend, a well crafted number from a new name in retro pop, a perfect slab of soul getting a timely re-promotion, a perfectly formed and very melodic instrumental track, and more besides. As always, we hope you find something new to enjoy.

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Listen: Mercers unveil new single ‘Cleanse/Repeat’

Mercers are a new band for 2026, but a couple of their members already have a foothold within the metal/alternative scenes. Two ex-members of nu-metal band Fony take a new musical direction here, bringing a genuine intensity to their work, and a more aggressive approach hits with a genuine immediacy on their new single ‘Cleanse/Repeat’.

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Watch: Young Martyrs share new video for ‘Sugar On My Tongue’

Since their formation, Young Martyrs have been a reliable source for great singles. In particular, ‘Everyone Else Disappears’ presented a great radio friendly pop rock sound that provided an easy entry point into the band’s catalogue with its very melodic, chorus driven approach, while the Americana themed ‘Never Gave You The Blues’ offered a more mature angle in terms of songwriting, and the more recent ‘Is There Anybody Out There?’ flaunted a more epic sound with its use of contrasting power chords and harmony driven vocals. All three of these recordings shared elements which could’ve been the work of three different bands, but in their own way, each showcased Young Martyrs as an act to keep an ear for in future.

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Listen: Tom Waits and Massive Attack share new recording ‘Boots On The Ground’

When you think of Tom Waits, the idea of collaboration is not usually something you’d consider a priority. He’s taken a co-credit with others in the past, of course – most notably with Crystal Gayle on the ‘One For The Vine’ soundtrack – but you’re more likely to find Tom taking the reins and marching to the beat of his own very distinctive drum. However, ‘Boots On The Ground’ finds him joining the legendary Massive Attack for an oppressive and beat-laden recording that really works.

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