Watch: ‘Stoneman’ – a brand new video from KOYO

KOYO’s third album, ‘Onism’, (released November 1st) saw the experimental band evolving. The featured material captured many of the complexities of past works, but by introducing a heavier edge in places, the band’s alternative sound embraced more of a post-rock aesthetic. Despite the confident changes and the fact that bits of the material drew from a huge pool of influences, the record proved that KOYO were keen to forge their own musical path.

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Watch: Check out ‘Dark Waters’, the new video from Federale

In July 2024, Federale released ‘Reverb & Seduction’, an album of songs that took the listener on a journey via a world of dark narratives, but also presented some rich and varied musical arrangements. The most complex Federale album yet, the styles covered ranged from goth pop to cosmic country, from occasional indie jangles to a very retro singer songwriter approach with traces of Chris Isaak. It was the kind of album that, no matter where you chose to drop in. would offer the listener something interesting.

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THE REAL GONE SINGLES BAR #75

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous couple of weeks. We think this selection is an interesting one, with something to entertain a broad range of different ears. We’ve got an acoustic based singer songwriter who sounds like they’re heading for big things, some re-promotion for a rock based banger, something with a ska heart that’s almost timeless, a bit of pop infused country, and more besides. As always, we hope you’ll find something new to enjoy!

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Watch: Ember Belladonna shares new video for ‘The Unnamed’

At the beginning of 2024, Ember Belladonna released her debut full length album ‘The Grove’. It was an undeniably smart collection of tunes, mixing elements of goth, metal and folk, showcasing great flute work. Taking the flute beyond its usual prog rock space, Ember created a musical landscape of her own: sometimes dark but without feeling oppressive, but often otherworldly. The album presented songs that had a heart that could be easily orchestrated, but often felt very different – and more distinctive – than the several hundred Nightwish clones filling the globe.

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