From Belarus comes Golohor, a death metal band that’s so underground that at the time of release for their 2016 EP, the only mention of them on the internet comes from the web page of the Russian record label distributing their CD/download. It’s almost as if the band members never previously existed; there’s no bio, no photos, no social media presence. That’s odd; even guys with black and white facepaint and pseudonyms usually have some kind of online presence, but for Golohor, there’s this EP…and that’s it.
Tag Archives: metal
SUN OF GAIA – Corrode
A progressive metal quartet from Adelaide, Sun of Gaia are a talented bunch. Rather than take the predictable prog-metal route of trying to recreate an hour’s worth of Dream Theater inspired anally retentive dullness pomposity, the tracks on their 2016 EP look farther afield for inspiration. The riffs are heavier than many prog metal bands for starters – more of a melodic death metal punch informs their sound, along with some hardcore – but that’s not all that sets them apart. In terms of taking such riffs and fusing them with the unexpected, this release is a real winner.
VANAD VARJUD – Dismal Grandeur In Nocturnal Aura
Stripping away the lightning speed drums and very much favouring a mid paced plod, or a funeral march, Estonia’s Vanad Varjud experiment with some of black metal’s more avant-garde elements throughout their 2016 release ‘Dismal Grandeur In Nocturnal Aura’. Although they are billed as “ambient”, fans of genuine ambient music will certainly want to give this a wide berth. Judging by the four compositions featured on this release, the band don’t always seem to understand what ambient truly means. Most of the supposed ambient moments seem to be either just slow, or hastily composed oddness with a jarring noise for accompaniment.
DARKESTRAH / AL NAMROOD – Split EP
For those who feel that metal is a purile genre and that black metal is purely just noise, this split release from two underground bands will certainly challenge such ideas. Those who harbour such preconceptions are unlikely to step within a hundred miles of this release, of course, but that’s hardly the point. From Krygyzstan, Darkestrah fuse black metal themes with a few traditional Asian musical slants, while Saudi occult metallers Al-Namrood mix up black metal with some heavy folk metal influences. While the music on this split release can take a while to fully appreciate – if, indeed, in the case of Al-Namrood, it can be fully appreciated – it cannot be said that either band play to extreme metal traditions and that these tracks aren’t in some way surprising.
A THOUSAND SUFFERINGS – Burden
Belgian sludge/doom combo A Thousand Sufferings could never be accused to doing things half-heartedly. Sludge has always taken the nuts and bolts of Black Sabbath and slowed it and heavied it’s very essence to it’s logical extreme. A Thousand Sufferings, at first, seem to go one better, as even ‘Once In A Blue Moon’, a spoken intro, appears to adopt the sludge/doom ethos, as the band take what would have been a brief sample from TV drama ‘The Americans’, but play it back at half speed. The effect of hearing synth music, the sounds of helicopters and human voices played back at a much slower speed can be unsettling. The fact that one of the characters is halfway through a monologue regarding the chain of nature and mortality makes it all the more disquieting. It makes for a very slow and potentially quite grim three minutes. With this intro, the band builds tension in a really obtuse manner and the three proper tracks which follow – sprawling across over half an hour – are just as oppressive.