MOTHMAN & THE THUNDERBIRDS / WORLD EATERS – Split EP

In terms of heavy split releases, this shared venture between Philadelphia’s Mothman & The Thunderbirds and Ontario’s World Eaters will take some beating. Each band shares a very different kind of riff-based anger, but at the same time, their uncompromising sounds share a vision that, together, makes them a great fit. With just two songs apiece, it’s enough to make the listener aware of two underground bands that stand a chance of either thrilling or scaring the unwary. Either way, they’ve gained a reaction, so it’s all good.

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MOTHER OF GRAVES – In Somber Dreams EP

Hailing from Indiana, Mother of Graves take massive musical cues from My Dying Bride and early Paradise Lost and apply those sounds to the broader musical canvases of the likes of Swallow The Sun. From the off, the material on this debut EP (originally released in 2021) really values huge, dark melodies, but in order for those metallic backdrops to not sound too commercial – relatively speaking – a really abrasive melodic death metal growl has also been applied. This, at least at first, sounds like an act of slight self-sabotage since the bulk of the music would definitely be better suited to a Type O Negative influenced croon. There’s nothing about that voice – even at its most extreme – that will be too off-putting to the hardened doom fan, of course, but it might stop the material appealing to a broader spectrum of metal fans.

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SKINHER – Heartstruck

As the name suggests, Skinher is a project helmed by bassist Kyle Skinher, also of prog metal band Hail Spirit Noir. In the main, this band couldn’t be further removed from his “day job”, since it abandons most proggy aspects and the heavier end of the metal spectrum in favour of some massive haired, retro hard rock thrills. Kyle claims the influences come from the likes of Yngwie Malmsteen and everyone’s favourite Ghost, but the truth is that the best parts of ‘Heartstruck’ are even more retro – and sometimes more melodic than both. This is a record that really taps into the melodic rock and metal sounds of yesteryear, to the point where you’d expect to find it propping up the release schedule on a label like Frontiers Records.

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