For this Colorado based band, there’s more to progressive metal than shamelessly aping the leather trousered tedium of Dream Theater and the hundreds of copyists that have sprung up since the 90s. On this trio of tunes that make up their second release, you’ll find the obvious speedy soloing and obvious posturing, but you’ll also find influences from a post-grunge dirtiness, traces of gothic metal and eventually a love of groove and even melodic death metal. When you glue all of those together, you end up with something that at least half feels progressive, even if it wouldn’t appeal to those who love “prog”.

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