THE REAL GONE SINGLES BAR #67

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the last few weeks. On the surface, this might appear to be a rather louder selection with picks from German industrialists, American doom merchants and some unfamiliar indie rockers laying the foundations. It isn’t without the typical SB variety, however, since you’ll also find some downbeat singer songwriter fare and a great piece of cosmic country among other things. As always, we hope you find something new to enjoy!

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SUN ATOMS – Take This Love / And The Lion Saw The UFO

Near the beginning of 2024, US post punk band Sun Atoms broke a near three year silence when they released the single ‘Ceiling Tiles’. That track provided the perfect reminder of their great sound with its angular riffs, pulsing rhythms and light gothic tones. In a little over five minutes, the music transported the listener back to the early 90s with its alternative feel, but Sun Atoms’ music still played very well in the present.

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THE REAL GONE SINGLES BAR #65

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This visit to the SB brings some UK based Americana, a slice of acoustic blues, the return of an industrial legend, an interesting cover tune and more besides. Strap yourselves in…there’s a lot of good stuff here!

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OCTAVIAN WINTERS – Nebula / Velveteen (Mark Pistel Remix)

Following a run of enjoyable digital singles, Octavian Winters released their debut EP ‘The Line Or Curve’ in October 2023. Rounding up the band’s previously available tracks and premiering the excellent ‘Velveteen’, its five songs explored an old school goth sound, but by blending that with a much tougher post-punk influence, the release shared a superbly dark mood laced with very strong melodies throughout. One of the EP’s highlights, ‘Surreal’ managed to bring the cold brilliance of ‘Faith’ era Cure into the realms of the more modern, potentially making it amenable to fans of bands like Lacuna Coil, and the combination of Jay Denton’s huge bass melodies and Ria Aursjoen’s soaring 80s vocals resulted in something atmospheric. With slow but wondrous melodies underscored by ringing guitar, it showed how classic 80s goth rock riffs and melodies could sound just as thrilling forty years on.

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