Early in 2015, ex-Dokken guitarist George Lynch teamed up with Stryper vocalist Michael Sweet. Their resultant album ‘Only To Rise’ contained a bunch of feel good hard rock tunes with big choruses. This release by Lynch Mob, released only seven months later, lacks the general joie de vive of the Sweet & Lynch project. It seems somewhat underwhelming by comparison and is certainly less varied, but maybe that’s precisely George’s point: everything has a darker side. Over the years, Lynch Mob have released some decent albums. While many hard rock fans tend to gravitate towards their late 80s debut due to its classic sound, the later discs bring plenty in the way of huge riffs. 2003’s ‘REvolution’ showed the band at their absolute heaviest and had plenty to recommend it, particularly if you enjoy riffs in dropped keys. In more recent years, their first release for Frontiers Records – 2014’s ‘Sun Red Sun’ – mixed classic rock sounds with the darker edge of ‘REvolution’ and achieved enjoyable results, resulting in their biggest US chart success to date.
Tag Archives: frontiers records
THE MURDER OF MY SWEET – Beth Out Of Hell
Formed in 2007 around the talents of drummer/producer Daniel Flores and vocalist Angelica Rylin, The Murder of My Sweet is a symphonic metal band based in Sweden. Their third album, 2015’s ‘Beth Out of Hell’ is a ridiculously grand affair straddling a fairly typical symphonic metal sound with huge elements pulled from musical theatre. Those who enjoy Within Temptation, Nightwish et al might glean some listening enjoyment, but to say its bombast is both one-paced and predictable would be an understatement.
PRAYING MANTIS – Legacy
Back in the early eighties when the New Wave of British Heavy Metal was in force, there were various bands flying the flag for British rock music. While Iron Maiden and Saxon went on to achieve worldwide acclaim and and Metallica’s constant championing of Diamond Head meant that band’s place in the rock history books was assured, Praying Mantis – at least by direct comparison – have never really been given their full due. Their debut album, 1981’s ‘Time Tells No Lies’, is highly praised among rock fans who purchased it at the time of release and the subsequent albums showed founding members Tino and Chris Troy to be a pair whom liked a strong sense of melody within their metal. For a lot of people, however, Praying Mantis will often (if not always) be a band best associated with vocalists Paul Di’Anno and Bernie Shaw, both of whom served time fronting the band in two distinctly different eras. While Paul’s time with Iron Maiden is well documented, like most of his other works, his time with Mantis barely gets a look in. Shaw – later to become Uriah Heep’s longest serving frontman – was always more sympathetic to the Troy Brothers’ style; in fact, his work with Heep on ‘Wake The Sleeper’ and ‘Into The Wild’ isn’t always so removed from Praying Mantis in 2015.
THE V – Now Or Never
Veronica “The V” Freeman will be familar to some as the vocalist with power metallers Benedictum, a US/Euro outfit who often favour bombast over decent songs. Her first solo release, 2015’s ‘Now Or Never’ (released via Frontiers Records, home of the previous two Benedictum discs) retains a fair amount of heaviness, but brings in a much welcome melodic element. The dozen featured numbers hark back to the days of classic eighties sounding metal, with tunes regularly casting Freeman in a Doro Pesche-esque mould.
BEAUVOIR/FREE – American Trash
1992 saw the launch of Now & Then Records, a small independent label specialising in melodic rock. Although the UK label’s time was brief, over the course of their lifespan, the label released the best AOR of the era. Gaining the rights to a few tapes that had otherwise sat gathering dust in record company vaults, they released records by Jeff Cannata, Mark Free and Takara, a band fronted by the now legendary Jeff Scott Soto. Among the label’s other early releases was the Crown of Thorns debut, a band uniting singer-songwriter Jean Beauvoir previously of Voodoo X and the Plasmatics with guitarist/songwriter Micki Free, previously of the rather more unlikely Shalamar. One of the all-time great debuts of rock, the record brought killer melodic rock track after killer melodic rock track in a way that few had managed since 1987, and choruses that represent the finest AOR melodies. Decades on, ‘Crown of Thorns’ is a recording that never pales in its appeal.