AMARYLLIS – Nova Initium

amaryllis lpFollowing two EP releases and their own headline shows in London, UK alternative rockers Amaryllis (not to be confused with the female fronted Polish prog rock band) set to work on a full length which, in the bands own words, had to be better than anything they’d recorded before. It’s always good to encounter a band with a clear sense of drive, looking to push themselves. While that debut – 2016’s ‘Nova Initium’ – often relies on being the sum of its influences over any obvious originality, it’s hard to argue against it being well constructed and well played, especially in the guitar department, since Alex Whiteford so obviously knows how to work some solid riffs.

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FUTURE TALK – The Path That Sadness Paved EP

future talk ep2015 saw a lot of alt-rock bands with a slight emo slant breaking through, particularly in the UK. Few are as impressive as Gloucestershire-based quintet Future Talk, a band whom seem to recognise that huge melodies are equally as important as musical prowess. The band’s appeal is also very much helped by the fact that the four songs on their ‘The Road That Sadness Paved’ EP have less of the sheen and fewer vocal filters than is often associated with acts of a similar style.

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ORCHARD HILL – Make It Out Alive

orchard hillA self-released EP, Orchard Hill’s ‘Make It Out Alive’ comes with a surprisingly American sound for a quartet from Oxfordshire.  With some tough pop-punk/emo chops and a first rate production job from Ben Humphries [Maximo Park] and John Mitchell [You Me At Six], this debut is incredibly professional.  For the genre, you’d be hard pushed to find a better sounding release from bands with ten times the budget at their disposal.

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MIDNIGHT PLAYLIST – Built To Break EP

MPBTBLondon’s Midnight Playlist are a four piece alternative pop-rock/pop-punk band, who bring a strong sense of good times and youthful spirit on their debut EP ‘Built To Break’.  There’s a real energy present from the very beginning of the opening track: a door slams, voices chatter, an amplifier buzzes…and with that, the quartet burst into life. That opener ‘A Year In Hell’ mixes pop-punk guitar chords and an alternative rock spirit, like a DIY collision between early Sum 41 and Don Broco; it’s a performance on which drummer Atish really excels.  Twin guitars chug and thrash in classic punk-pop style – even making room for a couple of lead flourishes – while lead vocalist Aaron cries each line with confidence, all the while happy to let his natural accent through, despite the attempts of a few vocal filters to make his voice sound more generic to the musical style.  You’ll have heard this sort of thing a thousand times before, but there’s an energy and tightness here – even obvious despite the limited recording budget – that makes this tune very enjoyable all round.

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