JET BLACK SEA – The Path Of Least Existence

Jet Black SeaJet Black Sea is an experimental, extra-curricular musical outlet for a couple of cult figures associated with the prog rock scene.  Nine Stones Close guitarist Adrian Jones and his band producer Michel Simons created the project in order to create music that stretches beyond the parent band’s more direct progressive rock and metal sounds. Stripped of all vocals and the most of the crunchy guitars heard on many a Nine Stones Close recording, there are still some meaty sounds present and a few rock influenced passages, but Jet Black Sea’s core sound is almost ambient in comparison.  Not necessarily ambient in the true “Eno/Music For Airports” sense, but definitely more chilled out. Naturally, there’s still a great deal of prog at the heart of their music – given the pairing’s usual musical outlet, that is unsurprising – but it is prog rock in a much more minimal sense, although ‘The Path of Least Existence’s broad soundscapes rarely sound minimalist in their overall vision. An hour’s worth of instrumental sounds float by without ever resorting to self-indulgence and a stronger focus on keyboards brings a very cinematic feel to proceedings throughout.

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FAKE SHARK REAL ZOMBIE – Liar EP

FSRZWith a name that quickly conjures up feelings of novelty, of lightweight emo trash and of genuine disposability, Vancouver’s Fake Shark – Real Zombie! have, rather unwittingly, saddled themselves with a moniker that’s a quick turn-off.  The epitome of just trying that bit too hard, it combines fantasy with punctuation and comes up with utter dross as a result.  The young band may think they’re being “well random” (to use a horrible teen vernacular, popular at time of this release), but in truth, all they’ve done is give their project a name that’s going to be of potential hideous embarrassment to them in future years.  Hell, maybe they won’t give a fuck – apparently Henry Rollins is a fan, so they’ll be thrilled, whatever. [In some ways, this revelation comes as surprising, given the punk icon’s musical past; in other ways, not so much: Rollins loves music from many genres- loves Beastie Boys, funk and even takes his professional name from a legendary jazz artiste.]   Anyway…yes, Canada’s Fake Shark – Real Zombie!  What of their music itself?

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MTNS – Salvage EP

MTNSLike so many electronic based artists, MTNS’ favoured approach of loading up the keyboards in place of “real instruments” and reliance on programmed elements makes this Australian outfit’s work appear rather cold at first.  Once you’ve broken through that mechanized wall – much like many of electronica’s strongest artists – there’s an intermittent dreamlike world awaiting.  Once the pieces settle into place, the music’s surprisingly huge presence pulls for an emotive response.

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AESTRID – Box

Aestrid_boxWith a huge set of influences from 80s new wave, synth rock (more specifically the more commercial end of Krautrock) and more than a touch of 80s goth and 90s alternative for good measure, this second album from Dutch electronica/alt-rock band Aestrid represents the sound of a band reaching early maturity.  Although its base sounds will probably sound familiar to listeners over a certain age, the albums eleven songs blend dense sounds with a sense of optimism in a way that is almost magical.

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