HOWLING BELLS – Strange Life

Twelve years is a long time between releases, but Kate Bush doesn’t have the monopoly in disappearing for that long, since ‘Strange Life’ – the first new Howling Bells album since 2014 – marks a long overdue return for the Aussie dream pop trio. Despite the passing years, the record’s eleven tracks actually sound like a perfect continuation from previous releases, and although this may seem a little safe, it results in an album that fans will take to in a heartbeat, and will introduce those who missed the band the first time around to a set of songs that’s almost guaranteed they’ll backtrack.

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KEELEY – Girl On The Edge Of The World

Since the release of their first full length release ‘Floating Above Everything Else’ in 2023, Keeley Moss and her eponymously named band have felt like a massively important part of the indie underground. That record’s heavy nods to a shoegaze and dreampop past ensured listeners who spent the 1990s as wide-eyed twenty somethings found an immediate connection with the KEELEY sound, while the lyrical content – heavily influenced by the narrative surrounding the murder of young traveller Inga Maria Hauser – gave some great tunes a cerebral edge. 2024’s ‘Beautiful Mysterious’ repeated the formula, but certainly didn’t sound like a band treading water. If anything, the album sounded a little more confident; richer, even, and it was clear there was certainly more of a story to be told regarding the Hauser case.

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Listen: Check out ‘Hungry For The Prize’, the new single from KEELEY

With the ongoing promotion of their ‘Beautiful Mysterious’ album, several successful live dates and a massive upturn in their online following, cult dreamgaze band KEELEY – fronted by the charismatic Keeley Moss – had a hugely successful 2025.

The beginning of 2026 will see the band going back on the road, this time to promote yet another new album, ‘Girl On The Edge of The World’. The ever-prolific Moss claims it is the first one that truly “captures the sonic swirl of [the band’s] sound, which suggests it’ll be a genuine treat for those who’ve already enjoyed ‘Floating Above Everything Else’ (2023) and the following year’s ‘Beautiful Mysterious’.

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MUSEUMS – Lost In Your Head / Can’t Stop Thinking About It

Montreal’s Museums arrived on the shoegaze scene in 2024 with ‘Sink Your Teeth In My Brain’, a two track digital release that captured a wealth of heavily treated guitar sounds and swirling atmospheres rather effectively. Coupled with a strong sense of indie-centric melodies and a clean, almost dream pop-esque vocal, the material was accessible for the style; the production values showed some obvious budgetary limitations, but the band’s bright and breezy style marked them out as an act to keep an ear for in future. Subsequent singles ‘Ur Best’ and ‘In Waves’ continued the streak of great retro sounds. With its fusion of indie and bubblegum pop, and incessant hook – sort of like a collaboration between Velocity Girl and Rilo Kiley – the latter more than suggested that Museums could be capable of delivering something much bigger in time.

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THE REAL GONE SINGLES BAR #138

With January now underway, this visit to the Singles Bar offers a great and varied selection of new and recent sounds. We’ve got a pair of power pop bangers, the return of some industrial legends, some alternative electronica from a band making their debut in 2026, and more besides. There should be more than enough here to remind people that Real Gone is so much more than “a metal site”, setting us off with best foot forward for the coming year! As always, we hope you find something new to enjoy…

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