There are few things as ubiquitous with the 1970s as glam rock. The first half of the decade’s music was shaped by David Bowie in his Ziggy and Aladdin pomp, Marc Bolan’s colourful pixie-like antics on Top of The Pops, and a run of stompin’ great hits from Birmingham’s finest, Slade. Mike Chapman and Nicky Chinn penned a truckload of hits for Mickie Most’s RAK label, making the music mogul’s yacht almost as famous as the acts themselves. In full leathers, Suzi Quatro helped pave the way for a generation of female rock stars and self-confessed “navvies in mascara” Sweet hadn’t “got a clue what to do”. On the artier end of things, there were Roxy Music’s appearances on the Old Grey Whistle Test where Bryan Ferry and company looked – and, indeed, sounded – like they’d been dropped to Earth by aliens and Sparks’ appearances between the likes of The Hollies and Wings on your favourite Thursday evening pop show had ability to frighten small children. It was very much a fertile time for new pop music.
Tag Archives: box set
Deluxe edition of The Selecter’s classic album ‘Too Much Pressure’ to be released in April; includes unreleased rarities
With the vinyl reissue of the 2-Tone live album ‘Dance Craze’ and the 8CD 2-Tone box set hitting the shelves in the autumn of 2020, it seemed like a good time to be a ska fan. While there seems to be no news regarding a much needed reissue of the ‘Dance Craze’ film as we move into 2021, The Selecter’s fans are given another cause for celebration.
On April 23rd, the classic Selecter debut ‘Too Much Pressure’ will be reissued on vinyl (in clear and black varieties) and a vastly expanded 3CD set.
VARIOUS ARTISTS – Staring At The Rude Boys: The British Ska Revival 1979-89
In the summer of 1979, several young bands with a political conscience and an ear for the Jamaican sounds of the late 60s began to storm the UK charts. The British music scene subsequently experienced one of its most exciting post-punk movements when bands like The Specials and The Selecter became the “new cool” with their brand of energetic ska music. By October, the new movement had reached fever pitch when no fewer than three bands associated with the 2-Tone label appeared on a single edition of Top of The Pops. Decades on, it’s still possible to understand the incendiary effect these bands had when revisiting that footage. Much has been said about Madness’ abilities to give the studio a party atmosphere, but it’s The Selecter’s first appearance playing ‘On My Radio’ which, perhaps, best sums up the pure energy of ska’s second wave in a little over two minutes, with Pauline Black, Arthur ‘Gaps’ Hendrickson and Charley Anderson giving it the full on skank throughout.
The Pineapple Thief to release 4CD box set of acoustic recordings in April
The last few years have seen continued critical acclaim for Bruce Soord. The last couple of Pineapple Thief albums were largely well received by fans and critics alike, and his Wisdom of Crowds side project with Jonas Renkse cemented his popularity.
The Covid pandemic put an end to live performances, but Soord kept himself busy by performing acoustic sets from home during lockdown. Fans will finally get the opportunity to own all of these recordings in April when KScope Records issues The Pineapple Thief’s ‘The Soord Sessions, Vol 1-4’. Full details on the new box set can be found below.
CURVED AIR – The Albums 1970-1973
For most people, British progressive rock band Curved Air are known for two things: being the first band to ever issue a picture disc and for the having the legendary Stewart Copeland having occupy their drum stool in the mid 70s. Considering that vocalist Sonja Kristina had previously been an important part of the London theatre scene in the late sixties – appearing in Hair – and Curved Air actually scored a UK top five hit single in 1971, you’d expect them to be more widely celebrated. Perhaps the reason they aren’t is due to lots of their classically- and jazz-derived music being very hard going. Their earlier work often values complexity over obvious hooks – something that makes the funky ‘Back Street Luv’ single seem like something of an anomaly – and the way they switch between different moods from track to track can, at first, be disorienting. They are very much a band that requires a lot of time and patience before most of the listening rewards become obvious.