Vocalist John Payne will be familiar to most as having been the singer with Asia between 1991 and 2006. For a lot of people, he’s often that bloke who “isn’t John Wetton”. A somewhat unfair tag, maybe, but prog and AOR fans aren’t exactly known for being open to change, especially where a favourite vocalist is concerned. Despite Payne being treated by some as an “also ran” or some kind of stand in until Wetton returned (which he eventually did), it doesn’t change the fact that Asia’s 1992 album, ‘Aqua’ is their best work (‘Little Rich Boy’ and ‘Who Will Stop The Rain?’ are amazing songs) and in many ways, 2006’s ‘Arena’ remains one of the band’s most musically rich works, with a few tracks veering away from their pomp style and drawing influence from the smoother sounds of Toto. Unless you’re completely ignorant (like those people who have somehow written off over thirty years of a Fish-free Marillion after hearing three songs in 1989), John Payne’s contribution to Asia cannot and should not be undervalued.
Tag Archives: aor
BLUE ÖYSTER CULT – 45th Anniversary – Live In London
The fashion for bands playing “complete album” live shows presents a double edged sword. On the negative side, this robs fans of the excitement and mystery of what the night’s setlist might bring. On the plus side, such a practice means that long neglected gems are given a live airing. In the case of Blue Öyster Cult’s ‘45th Anniversary: Live In London’ the latter definitely applies. Not only is their debut record is a stone cold classic, but it features several tunes that aren’t necessarily regular fixtures in their live sets, which lends this recording an instant vitality.
NEAL SMITH – Pop 85/95
Neal Smith will always be best remembered for his time spent as the drummer in the original Alice Cooper group between 1968 and 1974. Once seen, the image of that band becomes indelible. Not just for a body-stocking wearing, snake-wielding frontman, either. At their 1973 peak, Smith’s presence was like witnessing a blonde octopus attacking a drum kit. He allegedly always made sure his kit was one drum bigger than Keith Moon’s. There’s no denying that this man was a rhythmic god.
The Great 80s Project: 1989
…And so, Real Gone reaches the inevitable end of The Great 80s Project, but what an amazing year for music! The charts didn’t always reflect the interesting things going on, but in terms of albums, it’s a year full of wonder.
BLUE ÖYSTER CULT – iHeart Radio Theater N.Y.C. 2012
In 2012, Blue Öyster Cult released ‘The Columbia Albums Collection’, a seventeen disc set rounding up their output for the label between 1973 and 1988. It was a set that was worth picking up even for those that owned some of the albums previously, as it also included a couple of discs of rarities. For a limited time, owners could even access four previously unreleased live shows via the BÖC website, which was a definite sweetener for those who’d bought ‘Agents of Fortune’, ‘Spectres’ and ‘Some Enchanted Evening’ a couple of times over already.
To promote the box set, the band held a one-off concert in New York. Finally released as ‘Iheart Radio 2012’ in the summer of 2020, when heard retrospectively, it isn’t a perfect set by any means, though it has enough to recommend it. Capturing the band in front of a select audience of 200 fans, the recording could have had a similarly flat atmosphere to ‘Agents of Fortune – 2016’ (released via Frontiers Records in early 2020), but due to not being tied to such a rigid setlist, founders Donald “Buck Dharma” Roeser and Eric Bloom, along with bassist Kasim Sulton, guitarist Richie Castallano and drummer Jules Radino, sound much less like a band going through the motions (no pun intended).