SWING HERO – You’ve Never Been So Alone EP

swing heroHaving gone through multiple lineup changes, Los Angeles based alt-rockers Swing Hero found themselves pared down to a duo by the end 2014. The slim band arrangement has no impact on their sound, however – on the three songs that inform their ‘You’ve Never Been So Alone’ 10” EP (their third record, released at the tail end of the year) Marshall Gallager (guitar/bass/vox) and Ben Scarboro (drums) make a glorious racket.  Their wall of sound is typically retro, pulling a huge amount of influence from both shoegaze and grunge (and outlying subgenres thereof), but always sounds somehow timeless in its execution.

Following a brief buzz of an amp, a drum signifies the arrival of a surprisingly complex slab of grungy alternative rock.  ‘Interest’ shows most of Swing Hero’s talents in a powerful opening number. Starting quietly, the first verse reveals Scarboro to be a player with a great talent, his snares providing much of the interest, while a solemn lead vocal from Gallager bares more than a passing resemblance to Echo & The Bunnymen’s Ian McCulloch with its somewhat dour tone.  Before too long, the temptation to crank the volume takes over and the main guitar riff really asserts its presence.  Adopting a thick, overdriven tone all round, a midpaced, head-nodding, metallic clang just drives its way relentlessly into the ears. Swing Hero are in full flow of their nineties revivalism, but somewhere underneath, there are still strong tuneful qualities.  This surprising attention to melody comes not just in Gallager’s well-rounded delivery – by now risen to present a more powerful rock sound – but also via some unexpected “woo woo” backing vocals lurking somewhere within.  By this time, the general volume of the performance recalls Sonic Youth’s more tuneful output, even if the sounds are less discordant than Thurston and Kim’s preferences.  Fans of post-grunge and shoegaze sounds will find an almost instant kinship in this number.

Despite making a feature of a bass drum, ‘Grown Up’ is much quieter at first, a clean toned guitar tinkling, as various shimmering sounds pitch against another crooned vocal, all very much representing the louder end of the dreampop ouvre.  The band could easy have constructed a full number from the more introspective sounds, but revert to their comfort blanket of distorted guitars for the chorus and beyond.  This is by no means a bad decision – they sound so at ease rocking out after all.  While the vocals represent some of the best performance on this EP – a mix of obvious melody and reverbed harmonies – it’s the instrumental work that really stands out and marks Swing Hero as a band to watch. The use of multi-tracked guitars, effects pedals  and relatively simple bass thuds evoke strong memories of the heaviest parts of The Smashing Pumpkins’ classic ‘Siamese Dream’ and the artier part of the nineties alternative rock scene.   Across five and a half minutes, ‘Home Is Where You Make It’ makes an even broader feature of such crashing riffs and a wall of cymbals, churning a distorted riff in a style slightly slower than expected.  It’s not a great step from ‘Grown Up’ but is a stronger effort overall, thanks to such an insistent hook line. It’s here the EPs title appears, the line repeated as a simplistic refrain intercut with a few old-fashioned “doo doo”s for good measure. It’s a hook that’s so insistent that once it takes hold, its almost entirely possible to forget the rest of the lyrics in an instant.  Whether echoed and shoegazey vocals or grungy guitar riffs are your thing, this track should be earmarked for listening and a possible download purchase.

With a bang up production job, this sounds great with the volume cranked.  It may be more reliant on crunching and droning atmospheres than obvious songs, but Swing Hero push all the right buttons…and with absolute ease.  Quieter and more focused than A Place To Bury Strangers, more tuneful than Yuck and edgier than Yo La Tengo, the three tracks presented on this EP represent the best in guitar-driven, brilliantly loud indie rock.  Recommended.

December 2014

ORCHARD HILL – Make It Out Alive

orchard hillA self-released EP, Orchard Hill’s ‘Make It Out Alive’ comes with a surprisingly American sound for a quartet from Oxfordshire.  With some tough pop-punk/emo chops and a first rate production job from Ben Humphries [Maximo Park] and John Mitchell [You Me At Six], this debut is incredibly professional.  For the genre, you’d be hard pushed to find a better sounding release from bands with ten times the budget at their disposal.

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MIDNIGHT PLAYLIST – Built To Break EP

MPBTBLondon’s Midnight Playlist are a four piece alternative pop-rock/pop-punk band, who bring a strong sense of good times and youthful spirit on their debut EP ‘Built To Break’.  There’s a real energy present from the very beginning of the opening track: a door slams, voices chatter, an amplifier buzzes…and with that, the quartet burst into life. That opener ‘A Year In Hell’ mixes pop-punk guitar chords and an alternative rock spirit, like a DIY collision between early Sum 41 and Don Broco; it’s a performance on which drummer Atish really excels.  Twin guitars chug and thrash in classic punk-pop style – even making room for a couple of lead flourishes – while lead vocalist Aaron cries each line with confidence, all the while happy to let his natural accent through, despite the attempts of a few vocal filters to make his voice sound more generic to the musical style.  You’ll have heard this sort of thing a thousand times before, but there’s an energy and tightness here – even obvious despite the limited recording budget – that makes this tune very enjoyable all round.

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THE CREEP VOID – The Elevation Of Idiocy EP

ep-coverHailing from England’s North East, The Creep Void are an independent rock band trading in some great post grunge and alternative sounds.  While the core of their work owes a debt to the nineties, the quartet’s 2014 EP ‘The Elevation of Idiocy’ isn’t just a throwback to times of khaki colours and plaid shirts. There are certainly a few unavoidably grungy elements within these four tracks, but the song writing and tough sound places them firmly in the twenty first century – ever looking forward as well as drawing from their classic influences.

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TAKE TURNS – Animal Fat EP

animal fatMusical fashions are cyclical. Like the 70s became very fashionable in the 1990s, the 1990s, in turn, have had a huge influence on some of the alternative rock sounds of the ’10s. Bands like Yuck can be found recycling the best elements of Sonic Youth and Dinosaur Jr with sheer abandon,  the Bandcamp site is full of similar revivalist acts, while The Pains of Being Pure at Heart found critical acclaim channelling a very definite nineties indie jangle within their sound.  Take Turns, a Leeds based quartet are as guilty for shameless recycling, but like Yuck and Pains, their end sound is so full of love for those who’ve inspired them, it would take a hard heart not to enjoy their nostalgia trip.  On this six song EP, they’re none to shy about flaunting an absolute obsession with Pavement…

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