KRASSEVILLE – Nous Somme Faux

KRASSEVILLEIf members of a black metal band embarked on a project that sounded like a film soundtrack and then also channelled various bits of early 80s goth and Nick Cave, that would be a bit of a jumble, but a fairly cool one nonetheless. Such a rambling bag of ideas is the closest approximation of describing the sounds with which French band Krasseville fill their 2015 release ‘Nous Somme Faux’. It’s avant-garde for sure, yet at the same time, it’s also strangely listenable.

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EUJENICS – Humanism

eujenics epNearing the end of 2014, The Creep Void released their ‘Elevation of Idiocy‘ EP. The band’s second – and final – release, its featured tracks were head and shoulders above anything on their ‘Apothesis’ album from 2012. With a decent production and some great riffs, it promised even more for their third release…but the band broke up, leaving such promises unfulfilled.

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MASSACRES – Brutus EP

massacres epFormed at the beginning of 2015, London alt-metal band Massacres came a long way in a very short time. Their sound, an uncompromising blend of metalcore and hardcore punk intensities, quickly found an awaiting audience. For work on their debut EP, they also secured the talents of Jason Wilson, a producer of some renown whose studios had seen the likes of Cities, You Me At Six, Don Broco and Bellowhead working within. With a killer approach to making fairly uncompromising noise and a decent producer to help give things the ultimate send off, there was every chance that debut release could be a monster.

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SUGARUSH – Sugarush EP

Sugarush EPAs the summer of 2014 faded, Israeli avant-garde rock band Memory In Plant released their ‘Epic Triumph’ EP, an angular collection of arty noises that wasn’t always the easiest to digest. Despite their deliberately obtuse stance, the EP somehow managed to bring entertainment value as bits of tunes fought their way through the cracks of the many spliced together ideas. Unsurprisingly, though, they weren’t so quick to follow up that release…

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