THE REAL GONE SINGLES BAR #85

For our first Singles Bar feature of 2025, we’ve brought together an interesting selection of tunes. You’ll find a “typical” Real Gone backbone of rock, but with the help of some great, spiky synth sounds, a couple of singer songwriters, and even a country infused bar room sneer from a familiar musical figure, there’s enough here to attract anyone with a curious ear. As we prepare to embark on another year of great musical discovery, we hope you find something of interest here!

*

Continue reading

THE REAL GONE SINGLES BAR: A NEW YEAR’S EVE LOCK IN 2024

Throughout 2024, we’ve featured literally hundreds of new tracks in our weekly Singles Bar column. Never committed to any particular style or genre, the SB has become a haven for any new tracks that have caught our ear, and we’ve introduced people to a whole spectrum of new bands. There wasn’t time to cast a spotlight on everything we loved, however. So, as we get ready to wave goodbye to another great year for music, we’ve brought together a selection of twenty five great tracks that slipped under the radar during the second half of the year. These are more than mere leftovers – every track deserves a loving ear. We’ve got singer songwriters; we’ve got melodic prog; we’ve got a couple of metal-centric workouts, indie bangers, and even a pinch of blues. If you’re a regular visitor to the Singles Bar, we know you’ll find more stuff to love!

*

Continue reading

THE REAL GONE SINGLES BAR #84

Welcome back to the Real Gone Singles Bar! This time out, we bring you a slab of garage punk, a synth based banger, a couple of tunes with a rock and metal core, and more besides. It represents another great round of shining a light on individual tracks from a musical underground, and in a couple of cases, definitely suggests more greatness ahead. As always, we hope you like what you hear…

*

Continue reading

SUN ATOMS – Everything Forever

On their 2021 LP ‘Let There Be Light’, alternative rock band Sun Atoms shared some great music. That record’s quieter and more downbeat moments blended elements of goth pop with a very retro guitar twang, often falling somewhere between the classic, introspective songwriting of Leonard Cohen and the more contemporary moods of Tindersticks. When approaching busier sounds, the material mixed light electronica with spoken word passages. With other moments utilising muted trumpets and very retro sounding backing vocals, the album created a pleasingly varied listening experience.

Continue reading