On their second release, 2018’s ‘Up In Open Arms’, New York’s Baby Got Back Talk showed themselves as being smarter than your average pop punk band. By trading in the usual juvenile humour for a socially conscious lyrical output and applying their messages to a musical backdrop that mixed the punky elements with a dose of emo, pop and occasional ska inflected basslines, the release covered a lot of ground in a very short time, and in a very mature way. Its use of vocal filters wouldn’t have suited everyone, but in terms of riffs and hooks, it was clear that this young band had a lot going in their favour.
PAT TODD & THE RANKOUTSIDERS – Tell Us All A Story / Prison Of Love
Pat Todd first came to prominence with the Lazy Cowgirls in the 70s, but has fronted The Rankoutsiders since 2004. This accompaniment to his ‘Blues, Soul & Rock and Roll’ EP pairs a new Rankoutsiders recording with a cover tune that’s somehow been on Todd’s “to do” list for decades. In doing so, it marries the past and present, neatly drawing a line under a long overdue project whilst simultaneously looking forward.
FANS OF THE DARK – Suburbia
The debut release from Swedish melodic metal band Fans of The Dark was a genuine mixed bag. Conceptually, it tried to hard to link horror narratives with metal-based tunes, but some of the vocals were terrible, and the least said about the artwork, the better. Some of the material was distinctly average and yet, despite almost everything, it had something that showed promise. For those willing to persevere and make it past those heavily accented, really dated vocals, the seemingly ropey album actually hid three very strong tunes which combined chopping guitar lines, some muscular bass and a couple of big choruses. It suggested that – despite almost everything – Fans of The Dark might just be harbouring some talent. They just hid it very well.
INDUSTRIAL PUKE – Where Life Crisis Starts EP
When members of Rentokiller and Burst joined forces for a side project purely aiming to make some noise, it was pretty much a guarantee that the results would be uncompromising, but this debut from Industrial Puke is more impressive than first impressions would suggest. Their choice of name and logo appear rooted in the extreme – suggesting a blend of death metal, grindcore and gore-themed noise – but the reality is far preferable. Their music adopts more of a hardcore persuasion and the EP’s four hefty workouts bring early 90s hardcore and crust punk influences into the twenty first century with an almighty wallop.
HOUSE OF LORDS – Saints And Sinners
For many, House of Lords will always be best known for their self titled debut from 1988. A massive piece of melodic rock, the recording introduced the world to the strong vocals of James Christian which, paired with a larger than life keyboard sound from ex-Angel man Greg Giuffria, resulted in the kind of huge sounding AOR that proved that a combination of poodle perms and big chorus hooks needn’t be wimpy. A cover of Blind Faith’s ‘Can’t Find My Way Home’ found the band courting the MTV crowd in 1990 and the future looked bright. Unfortunately, changing musical fashions led to the band splitting after a third album a couple years later, but their work was far from done.
A reformed band – minus Giuffria – released ‘The Power and The Myth’ in 2004, to the delight of fans, but to the indifference of the rock world at large. However, despite a lack of obvious commercial success, it was enough for House of Lords to plough onward, releasing new works every two or three years thereafter.