In terms of heavy split releases, this shared venture between Philadelphia’s Mothman & The Thunderbirds and Ontario’s World Eaters will take some beating. Each band shares a very different kind of riff-based anger, but at the same time, their uncompromising sounds share a vision that, together, makes them a great fit. With just two songs apiece, it’s enough to make the listener aware of two underground bands that stand a chance of either thrilling or scaring the unwary. Either way, they’ve gained a reaction, so it’s all good.
MOZZY DEE – Orale!
In terms of keeping things retro, vocalist Mozzy Dee does an absolutely superb job on her 2023 release ‘Orale!’. Instead of taking the garage rock and power pop route of most of her Rum Bar Records label mates, Ms. Dee revels in a 1950s universe where the upright basses twang with a thundering elasticity and the electric guitars carry a massive twang that – in revivalist terms – is only beaten by the best Chris Isaak LP.
HECTOR AND THE LEAVES – Flowers
Over the years, Tom Hector has shown a massive love for retro sounds on his self-financed recordings. 2016’s ‘Little Bee’ from Hector And The Leaves presented songs that had traces of Brian Wilson and other power pop singer-songwriters lurking within its melodies; the simpler ‘(interiors)’ from the following year teased with a lo-fi sound, but carried timeless influences from Nick Drake and Elliot Smith. At the heart of the material – no matter the style – there’s a man with an old soul, and that old soul ensures 2023’s ‘Flowers’ continues his DIY voyage in a similar vein.
ASYMMETRIC UNIVERSE – The Sun Would Disappear As I Imagined All The Stars
The last thing you’d probably expect from a something touted as an “experimental prog release” is an intro featuring an easy jazz piano melody, but that’s exactly how experimentalists Asymmetric Universe kick off their 2023 EP ‘The Sun Would Disappear As I Imagined All The Stars’. Fact is, this release isn’t so much an “experimental prog” release, as a weird concoction of jazz fusion and metal riffs that often centre around some very busy melodies. It’s jazz fusion at its most aggressive; a world where the funkier elements of The Brecker Brothers meet the flowing grooves of Weather Report, only to be roughed up by the heavy mechanics of Cynic and Animals As Leaders.
THE SHANG HI LOS – Aces, Eights And Heartbreaks
The debut EP from The Shang Hi Los was a little rough around the edges, but at its heart, it had some great songs. The musical marriage between guitarist Danny Kopko (Watts) and Jen D’Angora (Downbeat 5) seemed to be a perfect one, and their mix of garage rock and retro pop suggested great things ahead. A couple of years on, this full length album is bigger sounding, more slickly arranged and better produced, creating the kind of record that’s almost everything fans could’ve hoped for. By tackling various different styles throughout, it sometimes has a restless spirit, but some strong vocals – aplied brilliantly throughout – ensure the material hangs together well as a showcase for the Boston band’s talents.