SHOOTING DAGGERS / DEATH PILL – Split

Death Pill’s self titled debut album instantly became one of the best records of 2023. On that release, the Ukranian hardcore punks not only proved they could share riffs that were every bit the equal of the pioneering American scene back in 1979/80, but also showed off a great ability to temper their punk with occasional swathes of metal. Packed with a world of absolutely brutal riffs, it set the band out as one of the greatest arrivals on the punk scene since Natterers issued their uncompromising demo flexi in 2016. Since Shooting Daggers made almost as much of a striking impression on their ‘Manic Pixie Dream’ EP in 2021, the bands are a very natural pairing for a split 7”, and this release from the New Heavy Sounds label does not disappoint.

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MENTO BURU – East Bakersfield Christmas II EP

At the end of a troubled 2020, Bakersfield ska men Mento Buru released an EP full of Christmas cheer. The sunny ska based rhythms were at odds with “chestnuts roasting on an open fire”, but that only added to the fun. Not everything on the ‘East Bakersfield Christmas’ EP was of a gold standard, but its best bits – including a terrific ‘Feliz Navidad’ – certainly made it worth checking out and definitely played to the band’s strengths.

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THE DELINES – Christmas In Atlantis / San Leandro Lament

The Delines’ 2022 album ‘The Sea Drift’ was a little smoother than their previous recordings, but in many ways, the record’s soulful Americana sound created some of the band’s richest sounds to date. Its timeless sound also translated perfectly to the stage – perhaps, in some ways, a little too perfectly – but it definitely showed off a band at the peak of their powers.

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INTO THE DEEP – Blackfin

Featuring ex members of Pivot, Into The Deep are a metal band who centre their musical narratives around conservation, the ocean and its wildlife, and other nautical themes. It’s a more than admirable idea, and certainly makes a huge change from thrash and hardcore’s often clichéd anger. It’s a shame, then, that most of their lyrical content on ‘Blackfin’ remains largely inaudible to the untrained ear.

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