This EP from East Anglian noise-makers Soviet Films breaks a period of relative silence from the band. It might only feature a quartet of tunes – on the surface, a small amount of new music for a two year wait – but ‘Four’ presents a more epic sounding band, enjoying a more adventurous approach to arrangement than before, if indeed that were possible. The featured material represents everything fans could want, and music with the ability to unnerve new listeners in the best possible way.
Category Archives: Album & EP Reviews
KINGS CROWN – Closer To The Truth
The name Martin Kronlund will be familiar to many melodic rock fans. Between 2010 and 2015, the Swedish guitarist almost seemed omnipresent. Throughout that time, he was a member of Lover Under Cover, Salute and the reformed White Wolf. He was also a guest on the Ged Rylands all-star project Rage of Angels. In addition, he provided technical/production duties on albums by Departure, Ilium, M.ILL.ION, Saracen and Elevener. For a time it was hard to get away from the bugger.
CORNERS OF SANCTUARY – Taking Cover EP
Formed in 2011 with a desire to delve into the sounds of “classic heavy metal”, Philadelphia’s Corners of Sanctuary very much stick to tradition when it comes to their brand of rock. Like Aussie metallers LORD, CoS occupy a space where the big hair and the leather trouser reigns; a musical spectrum where solos are closer to Iron Maiden and Judas Priest than any more “modern” acts you’d care to name. For all of that, though, their sound is often impressive; a riff-heavy machine that’s not just a celebration of the past, but proof that classic metal lives on. By sticking to their guns in championing a very traditional approach, they’ve shared stages with Saxon, Blaze Bayley, and Anvil. And, somehow, they’ve also shared bills with Enuff Z’Nuff and – bizarrely – Green Jelly. Their strong held belief that metal will never die obviously works for them.
ELECTRIC SIX – Turquoise
It’s unbelievable to think that ‘Turquoise’ is Electric Six’s nineteenth studio album [or twentieth, if you count the ‘Streets of Gold’ covers collection, which the band don’t seem to, since it wasn’t even mentioned at the gigs played in the month of release, and nothing played from it], but Dick Valentine and his revolving cast of disco-rock oddballs have been cranking out albums year after year. Not that the record buying public or the press have always noticed. What’s more, the bulk of ‘Turquoise’ is great. It isn’t the sound of a veteran band phoning in their musical spoils. It isn’t hacked out product from a band all too readily dismissed as a cheap novelty. Yes, it’s trashy, but always in the best possible way.
THE LEN PRICE 3 – The Grass Is Always Greener / Man Out Of Time
For a lot of garage rock fans, The Len Price 3 will need very little of an introduction. The trio have been cranking out guitar based sounds since the mid noughties, and are arguably Medway’s best known musical export after Wild Billy Childish. For the uninitiated, their 2007 debut ‘Chinese Burn’ provides the perfect place to jump into their catalogue. Its fifteen tracks show how the band – none of whom are actually called Len Price – are able to strike a perfect blend between high octane 60s inspired sounds and a sweaty musical fury. All the way from opener ‘Christian In The Desert’ – sounding like a wobbly but furious mix of The Kinks and The Hives – through the surf tinged ‘Viva Viva’, to the choppy ‘Chatham Town Spawns Devils’ where the band evoke the same kind of energy as The Jam tearing through the Larry Williams number ‘Slow Down’, the album rarely lets up. Since then, the band have continued to deliver retro tunes with a very high quality threshold.