San Fernando’s Upon Stone broke onto the metal scene in 2021 with a well crafted EP, ‘Sky, Sword and Specter’. Its four tracks blended old school death metal with a pinch of hardcore, and when slowing down, the best material wasn’t shy in sharing a few (very welcome) trad metal traits. Assuming you could make it past a rather abrasive vocal, the music pulled from various sources to create an extreme metal release that actually felt really well balanced.
Category Archives: Album & EP Reviews
LASSITERS – The Charred Remains Of Gusso The Clown
London based band Lassiters aren’t doing things by halves on their second release ‘The Charred Remains of Gusso The Clown’. In ten songs and approximately half an hour, the three piece band whip up a brilliant musical storm where the tunes are noisy, and the lyrics sometimes knowingly silly, but there’s always a real focus within their hardcore stance.
THE MAGIC BUS – Σε Άγνωστα Νερά EP
This EP from The Magic Bus provides a brief but varied showcase for a talented band who aim to break down musical barriers. Blending traditional Greek melodies with elements of folk rock, stoner rock and trad metal, this EP’s four songs explore a vast musical landscape, but never feels in anyway disjointed. This is due, in no small way, to each of the melodies being linked by a strong vocal. Frontman Valentis Dafkos is in possession of one of those voices which is so big, it doesn’t matter where his music takes him; he’s there, with a very natural boom, sharing a volume that has as much confidence as the band’s biggest riffs.
FIRE SALE – The Albatross / I Remember Damage
In the summer of 2023, punk band Fire Sale released an excellent two track 7”. The material worked some great melodic punk riffs, and with a heavy leaning towards pop punk with a pinch of skate, it sounded almost exactly like something you’d expect from ex-members of No Use For A Name and The Ataris.
MY LIFE STORY – Loving You Is Killing Me
My Life Story’s first new studio album in nineteen years, 2019’s ‘World Citizen’, was a great comeback. Although the orchestral elements may not have seemed as prominent as those that drove the band’s earlier work, the album’s best material still demonstrated how Jake Shillingford’s distinctive indie pop still possessed a pleasingly grand heart. With orchestral arrangements recorded remotely in Hungary whilst the “rock band” contingent of MLS worked in the UK, the results could’ve sounded disjointed, but its to the band and producer’s credit that everything came together flawlessly. On reflection, a few of the more obvious vocal filters made some of the material feel a little shiny, but, as a complete work, it held up well over repeated listens following its release, proving that the fans and critics’ early enthusiasm for the album was certainly not without merit. The live shows surrounding the record continued the My Life Story tradition of giving audiences an indelible experience – even without a full orchestra in tow – and then, having gained even more traction, any future plans were cut short by the 2020 global pandemic.