ROB FILLO – Halfway Through The Dark EP

Canadian singer songwriter Rob Fillo isn’t too concerned with giving the world a traditional Christmas offering. There are enough people filling the shelves with Michael Bublé style romps through the classics, rehashing tales of reindeer bullying, or creating the musical equivalent of a Hallmark greetings card, with their chestnuts roasting on an open fire. Fillo’s holiday season plays more like a downbeat Mark Kozolek winter, or a Five For Fighting in a dour nod to the festive period, and is all the better for it.

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THE WALK OFFS – Audio Recordings #5

In the middle of the 2020 pandemic, The Walk Offs released ‘Sorry For Nothing’, a lovably ragged EP that fused a bunch of blue collar rock influences with a love of the rough and ready style of The Replacements. It never pretended to be original, but between a few good songs and a lot of DIY spirit, it more than held its own in the entertainment stakes.

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DMITRY WILD – Rock N Roll Is My Business / Son Of A Gun

Dmitry Wild’s 2022 long player ‘New York Stories’ was a record brimming with good tunes. The multi-talented musician filled its metaphorical grooves with a variety of sounds ranging from Strokes inspired garage rock (‘Summer of ’21’, ‘Sweetest Thing’), echoey semi-acoustic rock that sounded like ‘Space Oddity’ era Bowie fused with Tindersticks (‘Wizard’), moody singer songwriter fare with a gentle Nick Cave-ish undercurrent (‘God, Ghost and A Ship’), and even arty rock meeting with a slacker vibe (‘21st Century’). It showed a man capable of turning his hand various styles with relative ease.

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NIGHTFREAK – Speed Trials EP

Nightfreak are a band who, in their own words, play “feral punk ‘n’ roll”. Bands sometimes have a skewed idea of how they sound, or of the intents and complexities of the music they play, but in this case, these three lads from Chicago are under no illusions. Their second release ‘Speed Trials’ fills a brutal ten and a half minutes with unrelenting material that pulls the best from Black Flag and Germs and marries that hardcore intensity to rock ‘n’ roll riffs that sound like bits of Rocket From The Crypt and New Bomb Turks colliding with Keith Morris performing with a genuine anger.

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FATE – If Not For The Devil

In the minds of many, Danish rockers Fate will always be best remembered for being “that band that previously featured Mattius Eklundh on guitar”. When it comes to guitar based histrionics, Eklundh’s best work is hard to beat. On the first two albums released by his subsequent band Freak Kitchen, he managed to construct riffs that blended the grunge of Alice In Chains with the bendy jazz of a mid 70s Zappa and add the more bizarre elements of Steve Vai, but still end up with something strangely accessible and melodic. His guitar instrumental albums feature jaw-dropping sounds that are guaranteed to make the listener wonder how the hell he actually achieves some of his best tricks, and ‘Freak Guitar: The Road Less Travelled’ features the most insane version of ‘Smoke On The Water’ you’re ever likely to hear.

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