A strong case could be made for Robin McAuley’s second solo album – 2021’s ‘Standing On The Edge’ – being one of the finest of the journeyman vocalist’s career. It seemed to hit a sweet spot in terms of melodies, and although the singer’s brand of melodic rock was hardly in fashion at the time of release, his love for the style appeared unwavering. The album’s strong musicianship and big choruses rivalled his earlier associations with the legendary Michael Schenker, and the record’s AOR slant made it a great fit alongside some of their other Frontiers Records releases from that time. Taking influence from Black Swan’s second album ‘Generation Mind’, 2023’s ‘Alive’ took a slightly harder turn musically, but still found Robin in great voice and an enthused mood.
Category Archives: Album & EP Reviews
BANDAGES – Bandages
Back in the mid 00’s, The Messengers released an album that was pleasingly punchy but also lent a welcome sense of accessibility via its melodic punk sound. That self titled record harked back to the Tilt debut from ’94 and other great fare, and introduced the world to vocalist Shannon Wilson, a performer who clearly seemed destined for greatness. It was the sort of record that deserved the kind of success gained by The Distillers’ ‘Coral Fang’ and a couple of other releases around the same time, and yet it never seemed to garner more than a cult following.
HISTORY OF GUNS – Little Miss Suicide (25) EP
At the tail end of 1999, round about the time conspiracy theorists thought the turn of the millennium would trigger the end of the world – or at the very least, stop everyone’s computers from working – an independent band from England masquerading under the provocative name History of Guns released their debut EP ‘Little Miss Suicide’. It presented some fairly rough around the edges alternative sounds, drawing from goth, industrial and rock, and would lay the foundations for future endeavours. For those keeping a close ear to the alternative underground, HOG would continue to make interesting musical waves. At their peak of the first part of their career, they were even invited to remix a track by ex-Marillion frontman Fish, bringing together two disparate musical words, proving that – at least to those with open minds – music knows no boundaries.
HIKE THE PEAK – Fire EP
In September 2024, Hike The Peak released their ‘Ether’ EP. It hit streaming services just a couple of months after ‘Only The True Fly Free’ (an album made up of sporadically released digital tracks), but it was obviously far more than just a couple of leftovers. At its best, the material delivered some precisely arranged punk; sounds that, with elements of skate and melodic hardcore thrown into the mix and a strong influence from Face To Face, had a very American influence. Thanks to the input of a variety of vocalists from around the globe, the material didn’t always carry the sound that some people might’ve expected to come from a DIY musician from the north of England, but Hike The Peak sounded all the better for that.
THE PALE HORSE RITUAL – Enchantress EP
Some projects take a while to get off the ground and become a concrete reality, but Ontario’s Pale Horse Ritual (formerly The Pale Horses) took the idea of not rushing anything to extremes. The earliest line up of band the dated back to the late 90s when they were an on/off project for the musicians involved, but it wasn’t until 2024 that a stable line up was formed and the band finally entered the recording studio. They might have taken an age to reach the world’s ears, but the ‘Enchantress’ EP (released via Black Throne Productions (home of Sons of Arrakis and AAWKS) is a real treat.