On his debut album ‘Shadow Work’, singer songwriter Sam Varga made the juxtaposition of angst ridden, emo-centric lyrics and radio friendly melodies appear very natural. Despite the fact the record took all of about four seconds for him to confront his audience with the revelation that he felt like he was “rotting from the inside out” and another couple before dropping an f-bomb for extra angst, the album remained very accessible. At its best, tunes like ‘Stories We Tell’ and ‘Apocalypse’ played like the natural successor to the Ryan Adams best-selling ‘Gold’; ‘Up Down’ took the poppy heart of Simple Plan’s more commercial work and transplanted it into more of a singer songwriter sphere, while the chorus of the brilliant ‘Live Up To It’ gave a confident nod to the more contemporary pop rock of Bleachers. All the while, Varga still managed to sound like his own man – a songwriter with an occasionally sharp tongue, but in possession of an even sharper ear for a great melody.
Category Archives: Album & EP Reviews
SIDE PROJECT SKIP – The Friday Night Detour EP
Helmed by multi-instrumentalist Chris Dicksheid, Side Project Skip’s debut EP ‘Fast Falls & Hard Landings’ – released in 2021 – found the sometime Mediocre Friends musician sidelining the sounds of late 80s college rock and exploring retro sounds of another kind. The recordings presented stripped back semi-acoustic material that had a very DIY feel, but at their best – as heard on the very strong ‘Sunsets On Rooftops’ – a love for bands like Toad The Wet Sprocket was evident, creating an intimate listen that shone a light on Chris’s songwriting in a pleasing way.
Watch: Noah Villeneuve shares new video for solo debut ‘Kneejerk’
When it comes to reaching for a heartfelt sound, Noah Villeneuve isn’t holding back. His debut solo recording ‘Kneejerk’ begins slowly, presenting his rich vocal tones almost unnacompanied. Bringing in slow, acoustic strums, the melody builds, but clearly aims to draw in the audience gradually. Noah isn’t out to wow people with massive hooks, but to make them…listen – a gift that seems to be fading in this world of short attention spans.
THE PLANET SMASHERS – On The Dancefloor
It seems inconceivable that ‘On The Dancefloor’ is The Planet Smashers’ tenth album, much in the same way that it seems inconceivable that it comes twenty years after fan favourite ‘Unstoppable’, and three decades after the death of Sublime frontman Bradley Nowell. Time is a funny thing.
They might not have had the commercial success as Real Big Fish or Less Than Jake (at least in the UK, where hard touring has made those bands a big draw since the late 90s), but years of grafting have made The Planet Smashers an integral part of the transatlantic ska world. There have been times when it’s been hard to work out why. Despite being great musicians, they’ve not always shown signs of being particularly great songwriters, with so much of their earlier work being reliant on one line hooks, delivered ad nauseum to the point of absolute annoyance.
THE CAROLYN – Pyramid Scheme Of Grief
In 2023, US punks The Carolyn released ‘Harmful History’, an EP that provided a solid, if brief, insight into the band’s musical interests. The material made their love of The Ataris and The Gaslight Anthem rather apparent, but in terms of musicianship, the material was very strong.
In many ways, their 2025 release ‘Pyramid Scheme of Grief’ offers fans more of the same, but at times, the arrangements are tighter and the material more concise. This gives The Carolyn a serious amount of extra punch when required, without losing any of their songwriting focus.