CAPRA – Capra EP

At the beginning of 2020, Capra only had one release behind them, but that was already enough for the band to have shared stages with hardcore champions Today Is The Day and sludge/doom legends Eye Hate God. Their ‘Unholy Gallows’ single showed them to be a hardcore tour de force; a band capable of mixing metallic riffs with the kind of punk-oriented intensities you’d find on a World of Pain or Gallows disc. They already sounded like they were heading for a great future.

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MIKEY ERG – Bon Voyage EP

Best known as a member of The Ergs!, Worriers and sometime collaborator with For Science and House Boat, the ever-busy Mikey Erg embarked on a solo career in 2011. His second full-length album, 2019’s ‘Waxbuilt Castles’, found Erg moving away from his typical pop-punk and taking more of a singer-songwriter stance. Often veering into (pre-country music) Ben Kweller territory, it sort of suited him, but came as a surprise for some fans.

For those who disliked Mikey’s more reflective side on that album, some consolation comes with 2020’s ‘Bon Voyage’ EP’ moving back to punk. The EP was specially commissioned by Stardumb Records and Mikey immediately thought about the punk EP’s of his youth, of how they were often a gateway to a new band, often featured exclusive tracks and often featured a cover tune along the way. ‘Bon Voyage’ ticks all of those boxes.

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BLACKLAB – Abyss

BlackLab’s debut album ‘Under The Strawberry Moon’ was devastatingly heavy. With an under-produced and over-driven sound, the Japanese duo truly raised the bar in terms of fuzzy stoner riffs. The album didn’t reach a wide audience upon its first release, but a restructured and remixed version (released via the UK’s New Heavy Sounds label in 2018) went some way to giving the band an audience outside of their home country and received some really enthusiastic press.

Naturally, their minimalist set up of drums, guitars, vocals and three thousand distortion pedals never really allowed for a broad musical palate, so their sophomore disc ‘Abyss’ offers much more of the same, but if Blacklab appealed to you before, more of the same is exactly what you’d hope for… If anything is a little different, you might even say BlackLab have become even heavier and more intense, as ‘Abyss’ is a genuine skull-crusher.

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TRAVEL LANES – On

In 2015, Philadelphia’s Travel Lanes released ‘Let’s Begin To Start Again’, a hit and miss album that mixed a few pop and power pop influences with several rootsier John Mellencamp, John Hiatt and Connells styled moods. A few wobbly vocals let the side down from time to time, but there were a few decent tracks to be found within. Five years down the road, their third album only offers eight tracks in a very succinct twenty nine minutes, but its concise approach very much suits the band. Compared to previous Travel Lanes works, ‘On’ is far more consistent in terms of quality.

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NICK PIUNTI & THE COMPLICATED MEN – Downtime

“Sometimes you hear new songs that sound like old songs…”, says Nick Piunti of ‘Downtime’, making no secret of the retro qualities that provide the heart of his 2020 release. It’s ten songs draw influence from a very broad selection of power pop and radio friendly alt-pop tunes from the 90s, serving up a selection of songs that easily feel like a visit from an old musical friend and could even awaken a few old memories along the way.

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