Upon release in the summer of 2018, the first Glenn Hughes official bootleg box gained a mixed response. Some fans were delighted to have access to several hours’ worth of rare and unreleased live material at a bargain price, while others bemoaned the audio quality. Yes, five of its seven discs were sourced from audience recordings – and in a couple of cases, Hughes sounded as if he were miles away in a very large venue – but it’s hardly like the record company made secret of any audio roughness: the word “bootleg” should have set alarm bells ringing for the kind of audiophiles who consistently expect perfection. The first official bootleg box was rough in places, but for the more obsessive fan (or perhaps those who came to Glenn’s work late) it was a great collection filler. If nothing else, it was worth owning for a handful of spirited performances from a Brazilian show, a disc’s worth of near pristine acoustic tracks and a very welcome reissue of ‘Burning Japan Live’. A second set released in 2019 was similarly of a scattershot quality, but was worth having for a 1996 show promoting the heavy ‘Addiction’ album.
Category Archives: Album & EP Reviews
SVEN GALI – 3 EP
Back in the 90s, Canadian hard rockers Sven Gali released two very enjoyable albums. 1992’s ‘Sven Gali’ cast the band in a similar mould to ‘Slave To The Grind’ era Skid Row on a set of songs with big riffs and bigger choruses, while 1995’s ‘In Wire’ took a heavier direction and – like so many hard rock acts during that era – found the band swimming against the musical tide, despite their best efforts to stay vital. Much like Vince Neil’s ‘Carved In Stone’ released at a similar time, ‘In Wire’ mightn’t have been exactly what fans wanted upon release, but as the years have passed, it has sounded better and better.
VARIOUS ARTISTS – Shellshock Rock: Alternative Blasts From Northern Ireland 1977-1984
From the team that brought the world the fantastic ‘Big Gold Dreams’, a lavish box set exploring the corners of alternative music from Scotland, ‘Shellshock Rock’ provides a similarly loving look back at the punk and post-punk sounds emerging from Northern Ireland during the late 70s and early 80s.
ANDREW GOLD – Lonely Boy: The Asylum Years Anthology
Andrew Gold had a prolific career, but to many people he will be best remembered for three songs. The schmaltzy MOR pop of ‘Never Let Her Slip Away’ gave Gold a massive hit in 1978; his ‘Thank You For Being A Friend’ eventually became an evergreen number thanks to being re-recorded as the theme for hit US comedy The Golden Girls and 1977’s ‘Lonely Boy’ became a hit on both sides of the Atlantic. A genuine pop classic, that song’s multi-layered kitchen sink arrangement ensures it sounds as good now as it ever did – a rival to the complex pop of 10cc and a track that gave Jellyfish every reason to exist. It’s a four minute joy: a world of stabbed pianos and a story-telling verse leads into a massive chorus full of whoahs, which in turn gives out some great staccato guitar work and ultimately one of the greatest guitar solos you’ll ever hear. If that sounds overly indulgent, it surely is – but it’s also power pop perfection.
‘Lonely Boy’ takes pride of place within this box set – presented in no fewer than four versions – but that’s only a small part of the picture. This anthology provides the ideal opportunity to explore Gold’s four albums for the legendary Asylum label, along with a host of extras within one lovingly curated package.
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ENUFF Z’NUFF – Brainwashed Generation
When Enuff Z’Nuff are at the top of their game, they’re a fantastic band. Their first three albums (‘Enuff Z’Nuff’, ‘Strength’ and ‘Animals With Human Intelligence’ rank among the best melodic rock and power pop discs ever. From that point on, you’ll find good songs scattered throughout their next half a dozen releases, but the cut and paste nature of these can be a little frustrating. From 1999’s ‘Paraphernalia’ onwards, the band seemed to settle into a pattern of bulking out “new” releases with bits and pieces from their extensive vaults. Their 2000 release ’10’ is a blatant example of this, having been pieced together from recordings made over the previous half a decade. Just one listen to ‘There Goes My Heart’ might even be enough to convince some listeners that the song had been kicking around even longer, such is its quality (being comparable to the best bits of the 1985 demos and the EZ’N debut album). Their 2004 release ‘?’ was even more scattershot, featuring new songs alongside a bunch of material dating back to the ‘Animals…’ sessions in 1992. Frankly, if the songs weren’t good enough in the 90s, they certainly felt like third division off cuts over a decade later.