Between the arrival of a new album from Silver Dollar Room and a new single from up and coming band Wird, it’s started to feel as if the last quarter of 2024 is spawning a grungy revival. Here’s something else that fits the bill. Aussie rockers Hello Enemy can be heard channelling Silverchair on bits of their current single ‘Hit Or Miss’.
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Check out ‘Sugarcoat’, the new video from Nectarous
In 2023, US rockers Nectarous released ‘Whiskey Hustlin’ Woman’, a great single that flaunted a massive 70s influence. The way it blended the Southern Style of Lynyrd Skynyrd with a dose of 90s style funk rock – particularly notable through an infectious guitar riff – was particularly cool, if never entirely fashionable. In some ways, it set the band in place as a more melodic Black Stone Cherry, and more than suggested there would be more great music ahead.
Watch: Wird share new video for ‘Lies’
Formed during the pandemic of 2020, Wird are a London based band who revel in big riffs and grungy noises. Taking various influences from the 90s, they shared their ‘Screwed’ debut in 2022, which immediately cast itself in a Puddle of Mudd vein with its post-Nirvana Cobain-isms, and chugging approach, before ‘Clown’ took the band into slightly heavier climes with the aid of copious amounts of feedback and a sludgy guitar riff that equalled a number of second division grunge acts.
Watch: Brighton’s The Rattlebacks share new video for ‘Dementia Lounge’
Brighton based rock band The Rattlebacks have really put their stamp on 2024 with a couple of excellent singles. Here’s another: ‘Dementia Lounge’ doesn’t just capture the band’s gift for riffs, but improves on previous efforts by delivering much more of a direct punch.
Turbokill unleash a new ‘Champion’
Turbokill’s debut full length ‘Vice World’ introduced many metal fans to a band with a “classic” sound. Taking huge cues from the likes of Judas Priest and fellow Germans Accept, the album flaunted a whole world of twin lead guitar breaks and absolutely ripping solos set against a barrage of unashamedly 80s influenced riffs. On the album’s more bombastic tunes like ‘Pulse of The Swarm’ occasional even heavier moments gave vocalist Stephan Dietrich a massive platform from which to share a huge vocal, but on tunes like ‘Global Monkey Show’, the adoption of a more speed driven, party metal sound gave him the opportunity to truly soar. With numbers like ‘Fortress of The Universe’ showing how the band could also keep up with European power metal trends, ‘Vice World’ was an album that fans of traditional metal couldn’t afford to miss.