Prior to the release of their second EP ‘Hymn of The Vulture’, I Am The Law shared stages with Superjoint Ritual and Crowbar. They also cite Pantera and Lamb of God among their main influences, so, taking these facts on board, you could probably take an educated guess at what these Nashville based Southern metal overlords sound like before even hitting the play button.
…And you’d be absolutely right.
Van Morrison has been on somewhat of a creative role of late. He only released his last studio album ‘You’re Driving Me Crazy’ (a collaboration with jazz man Joey DeFrancesco in July, but it’s been confirmed he’ll release new studio material before the end of 2018.
The Run Up are five friends from Bristol, always ready to bring the world big riffs and bigger choruses. Their brand of pop-punk is tougher than most, but within the riffs comes a fantastic sense of all things melodic, always allowing great hooks to catch the listener. Their debut album, a self-titled affair from 2017, presented a solid half hour’s worth of material but, if anything, this follow up EP is even better. The short format suggests the band have really streamlined their approach and decided to only share the very best tracks this time around.
Of all the second division prog bands of the 70s – those who never quite made it to household name status with Yes and Camel – Greenslade are, perhaps, the band who’ve most been relegated to history. Despite a few high profile BBC appearances and four albums released between 1973 and 1975, they’ve never quite been given their full dues. If Greenslade get mentioned at all, it’s for their second album ‘Bedside Manners Are Extra’, released at the tail end of 1973. ‘Spyglass Guest’ – released the following year – is arguably a much better album.
On November 30th, Cherry Red Records will issue a strictly limited box set containing the complete studio recordings by legendary indie band Carter USM.