‘I Hear You Knocking’ is one of those tracks that’s always felt as it were part of the music fans’ collective consciousness. Originally recorded by Smiley Lewis in 1955, it has been covered by dozens of musicians, from Fats Domino to Billy Swan, from James Last to reggae vocalists The Pioneers. Status Quo dropped it into their ‘Anniversary Waltz’ medley, and even hard rock veterans Thunder have put their own stamp on the classic track. For most British listeners, though, it remains most familiar via the Dave Edmunds recording. With its trebly sound and slightly echoey vocal, the Edmunds recording has pretty much become the definitive take, reaching the number one spot in November 1970 and staying at the top for an impressive six week run.
Author Archives: Real Gone
THE REAL GONE SINGLES BAR #97
Featured at the Singles Bar this time around, you’ll find a couple of familiar names. You’ll also uncover a world of eclectic sounds ranging from jazz, to light country, to calypso. There’s also a really quirky piece of pop and an almost unrecognisable cover tune to be found amongst the eight picks. With submissions still coming in at a frightening rate, we’ve certainly not been short of musical choices, but we feel that these definitely represent some of the most interesting sounds to be found at present. As always, we hope you discover a new audio treat or two along the way.
*
THE QUIREBOYS – Hey You!: The Parlophone Years 1989-1993
Somewhere near the beginning of 1990, Tommy Vance broadcast a live show by The Quireboys as part of his Friday Night Rock Show on Radio 1. The live set – recorded at Wembley Arena when the still relatively new band opened for the legendary Aerosmith on their ‘Pump’ tour in 1989 – presented the boys in great shape. Numbers like ‘Misled’ and ‘Man On The Loose’ captured a Faces-obsessed swagger in a way that few bands had managed since 1975; ‘Seven O’Clock’ – already known and loved by Vance’s devoted listeners – and the soon to be released as a single ‘Hey You’ showed the crowd pleasing power Spike and the boys already had from the off, whilst the country strains of ‘Sweet Mary Ann’ suggested the Quireboys had the potential to stretch out if required. Although short, this live show was, and remains, a great document of the band firing on all six.
SILVER DOLLAR ROOM – Gilded Echoes: The Acoustic Sessions
With their debut release ‘Gilded Echoes’, Scotland’s Silver Dollar Room delivered one of the finest albums of 2024. Its mix of hard rock and grunge drew from classic sources, including Smashing Pumpkins (with better vocals) and Bush (but with better songs), creating something that sometimes felt a little nostalgic but still relevant in the present.
REAL GONE GOES OUT: Terrorvision – Dreamland Ballroom, Margate, Kent 21/3/2025
It’s 9pm on a Friday night. Terrorvision have just arrived on stage in the small Ballroom at the Dreamland venue. Surprisingly, for a name band pitching themselves at a middle aged audience, many of whom in the local area are affluent and often up for a night out, it isn’t a sell out. The venue is approximately half full, bringing back memories of Carter USM man Jim Bob’s undersold show in the same location in April 2024.
Unlike Jim, though, the lads aren’t sulking about it. Halfway through opening number ‘Discoteque Wreck’ – which attacks with immediacy, driven by a chunky guitar and a bass heavy sound – Tony Wright appears to be thrilled to be on stage. Sporting a very retro, blue-grey checked suit which looks a bit like one of Noddy Holder’s cast offs, he’s centre stage with a beaming grin, dancing manically. The sound is rough, but the energy coming from the band and into the audience is utterly immense. It’s obvious that this is the perfect opener for this fairly intimate show, and midway through the second number, it’s also clear that Wright’s dance wasn’t actually contrived to illustrate the narrative behind the previous song. He’s still lurching about like a man possessed, while the rest of Terrorvision crank out some hard edged riffs.