Lissie’s full length debut, 2010’s ‘Catching A Tiger’, gained the American singer-songwriter well deserved worldwide acclaim. With its mix of adult pop, a few country tinges and an obvious Stevie Nicks influence, she captured the imaginations of the adult rock-pop audience with some timeless sounding tunes. Although her 2013 follow up ‘Back To Forever’ scored another UK top twenty chart placing, it wasn’t enough for Columbia Records who subsequently dropped Lissie from their roster following its release. Finding a new home with Cooking Vinyl (the ever reliable home for artists who’d previously ended high profile contracts), she released a further two albums in 2016 and 2018. Even though these discs (‘My Wild West’ and ‘Castles’) did not appear to gain as much press attention, they were equally successful – and especially so in the UK, where ‘Castles’ earnt Lissie her first top ten placing.
Author Archives: Real Gone
FRED ABONG – Our Mother Of Perpetual Help
Fred Abong was especially busy throughout 2018 and 2019. He re-ignited his on/off solo career with the excellent ‘Homeless’ EP, which subsequently saw him touring as support with his old Throwing Muses bandmate Kristin Hersh. That was swiftly followed by the equally cool lo-fi release ‘Pulsing’ which saw critical acclaim from a few indie websites which led to Abong going on the road with Hersh once more. Not just as support act, but doubling up as the evening’s opening entertainment and as bassist with the KH Trio.
Grab the new download from Berk/Lehane
One of the first bands to release music from the Red On Red record label, Berk/Lehane brings together the talents of Simone Berk (Kid Gulliver) and Dogmatics legend Jerry Lehane.
Check out the new video from Ghost:hello
On December 1st, stoner rock band Ghost:hello will unleash new studio material as part of an excellent split release with Ohio based Melvins obsessives Night Goat.
OCTOBER DRIFT – Naked EP
With a maudlin heart that could be compared to The National and Elbow, but driven by a noisy and distorted wall of sound that ensures they never sound too much like either band, October Drift’s debut album ‘Forever Whatever’ was an enjoyably downbeat affair. Between a solid sound and some brilliantly constructed rock pop hooks, it was the kind of record that was broad in appeal for the indie/rock fan. The events of 2020 meant that the band weren’t able to promote the release via a mass of live dates, but their online presence and a few very vocal fans more than helped to spread the word.