Monthly Archives: June 2025

THE REAL GONE SINGLES BAR #109

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There’s an obvious theme of “crossover” for this visit to the Singles Bar, with half of the featured tracks comprising two jazz fusion tracks, a blend of punk ‘n’ roll and alternative metal, and an unexpected noise from a French band that are really pushing the boundaries. With a great post-punk track and a familiar melodic punk act also sharing recent material, there are also a couple of very familiar touchstones here too, making it a very strong mix of material all round. As always, we hope you find something new to enjoy.

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VARIOUS ARTISTS – Feelin’ Alright?: Mod, Rock, Funky Prog & Heavy Jazz 1967-1972

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When it comes to curating a period specific, multi disc anthology – particularly covering the exciting, ever evolving sounds of the late 60s and early 70s – there are few that do the job anywhere near as well as Cherry Red Records and their family of associated labels. That said, it doesn’t initially feel as if ‘Feelin’ Alright?’ will be one of their better efforts. By kicking off with Deep Purple’s over-exposed ‘Hush’, reaching for Spencer Davis Group’s ‘I’m A Man’ in record time, presenting what feels like the hundredth compilation outing for Small Faces’ ‘Song of A Baker’, and having the first disc also play host to the titular track from Traffic – tracks that’ll need absolutely no introduction – there’s a strong feeling of deja vu.

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ECCE SHNAK – Backroom Sessions EP

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The release of Ecce Shnak’s single ‘Jeremy, Utilitarian Sadboy’ in October 2024 marked a triumphant return for the most cult of art rock bands. Their first new recording in five years, the track shared something almost uncategorisable. Jumping from frenetic beats and rock riffs into post punk sounds, and eventually descending into a choir of voices sharing a warped carny melody, it packed more into three minutes than some bands manage over the course of entire albums. Their subsequent EP ‘Shadows Grow Fangs’ (released in February ’25) proved to be equally as inventive, sharing a half dozen numbers that seemed as keen to bemuse as entertain.

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PARADIS – Forever In Time EP

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The self titled debut EP from UK prog metal band Paradis was an absolute beast. From the very beginning, it showcased a world of truly intense riffs, but by mixing classic prog metal chops with a pinch of metalcore and a touch of extra, groove infused heaviness – hinting at a love of Lamb of God – their sound was immediately more impressive than most.

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BAD VALENTINES – Memory Tattoos EP

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It takes all of two bars of Bad Valentines’ ‘Last Days In The Sun’ to advertise the trashier end of this Finnish band’s rather varied rock sound, when a high toned guitar wails against a punchy backdrop. The immediate effect is like discovering a more melodic deep cut from earlier Scandinavian bands like Gluecifer, or a more pop-centic Hellacopters. Their rock ‘n’ roll chops shine even more brightly when a rousing lead guitar break rears up midway, but its when reaching for more melodic climes that this EP’s opening track really comes into its own. A punchy verse is offset by a hugely melodic and really confident vocal courtesy of scene new-comer Hon, and although she sounds great on the verse sharing more of a pop-rock tone than the music immediately suggested, it’s when hitting a harmony driven chorus she really begins to impress. It’s fairly simple with the band using an ascending melody to reach a one line hook, but the results are as catchy as hell. In terms of making a good first impression, this introduces Bad Valentines in the best possible way. It’s a genuinely strong number.

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