BILLY SHERWOOD – Citizen

billy sherwood citizenIn 2015, multi-instrumentalist Billy Sherwood found himself ahead of a rather daunting task. He was hand picked by his close friend, Mr. Chris Squire, to be the bass man for progressive rock legends Yes, after Squire – founder member and only constant – discovered his ongoing fight against leukemia would soon be lost. It was obviously a job he’d would rather not have, but given the circumstances, he was the most obvious and sympathetic choice. In many ways, the only choice. Sherwood’s links with Yes go back a long way, of course: he’d previously been involved with the band in an on/off role since the turn of the 90s, if anyone could fill the void and at least have half a chance of fan acceptance, it would be Billy Sherwood. Looking back even farther, Sherwood’s own music with Lodgic and World Trade had showed parallels with the more commercial sounds of Yes. The 1989 World Trade debut, especially, often sounded like the album Yes might have unleashed after ‘Big Generator’ had they continued along the shiny, techy, AOR-prog path.

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Hear the new single from Beach For Tiger

Beach For Tiger are a newly formed psych-pop band from London.  They’ve just released their first single ‘Coco’, a great psych-dream pop hybrid, which you can hear in full below.

It’s early days for the band, but hopefully you’ll hear even more from them soon.

PLASTIC RHINO – Recondition EP

plastic rhinoUS alt-rockers Plastic Rhino mean business on their second release ‘Recondition’, as they celebrate a trashy hard rock sound with a nineties slant. Bringing back riffs from a (mostly) pre-grunge world, there’s a retro quality, though surprisingly, given the potentially disposable feel of some of the material, there’s a defiant steering away from the more obvious glam roots. Each track is loaded with a tough riff and often a strongly suitable melody, but those riffs are rarely pivotal in making Plastic Rhino’s material hit with a sizable punch, it’s never really Jack Glazer’s guitar playing that leaves an indelible mark. His playing is rhythmically solid without any hint of flashiness, for it doesn’t need an overt flair; the winning factor throughout these seven songs is frontwoman Atara Gottschalk (ex-Luxx), a performer who approaches each performance with consummate ease, whether called upon for something gritty, slightly unnerving or a more obvious rock wail.

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