Formed at the tail end of 2017, Hembree And The Satan Sisters was borne from frontman Zachary M. Hembree’s desires to record more punk oriented material. Teaming up with ex-members of Guff and Burns Like Fire, The Satan Sisters finds Hembree (ex Nuclear Blast signings Toro) opting for speed and crunch over traditional heaviness and their debut release is…immense. Packing nine tracks in under twenty minutes, the EP format suits the band extremely well, allowing their music to greet the listener with a genuine sucker punch.

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A year on from Redbait’s debut EP ‘Red Tape’, their follow-up release ‘Cages’ presents the St. Louis hardcore band in an especially confronting mood. Given the state of the world at the time of release that’s hardly surprising, but even so, the EP’s opening number ‘Capital Gains’ is particularly sharp and aggressive even by their previous standards. In a seventy five second howl of rage, the band move through several aggressive styles, each one clearly showing a band that’s not to be messed with…and certainly not about to take things lying down. A huge buzz of bass feedback instantly signifies something great is afoot and within seconds, the track explodes into a slab of crust-punk fury with a message that’s particularly pointed as the band calls for a “working class liberation” for “all ages, all races, all genders and all wage earners”. This is hard to gauge without a trusty lyric sheet, of course, but between a furious vocal performance that mixes hardcore shouts and black metal inflections seamlessly, a brief instrumental breakdown leaning towards more of a metal sound and a huge climax featuring male and female voices absolutely screeching, this is a powerful opening statement for fans and first-timers alike.

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Portuguese hardcore band Don’t Disturb My Circles released their debut EP in 2009. The EP didn’t receive a lot of overseas press, but nevertheless the band continued to work hard promoting their work on their home turf. By 2015, they’d had shared stages with thrash legends Sepultura and Obituary, Cancer Bats and Dillinger Escape Plan, a band with whom their 2018 EP shares a few parallels.

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HIGHRIDER – Roll For Initiative

Highrider’s 2016 EP really meant business. Within twenty minutes, the Swedish In Flames obsessives growled, thrashed and pounded their way through four almost faultless tunes that owed so much to the past, especially with a root in classic thrash – and yet still sounded contemporary for the time of release. An unlikely soundtrack for the summer, that short look into a world that blended thrash with melodic hardcore and 70s hard rock organs promised so much for the inevitable full length debut. A year on, ‘Roll For Initiative’ expands on those musical themes and results in a more mixed album. Within the eight featured tracks, you’ll hear more of the things that made Highrider an instant success, but also a few experiments that aren’t quite as immediate.

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Watch the new animated video from At The Drive In

Hardcore/alt-rock legends At The Drive In have issued a new video for ‘Call Broken Arrow’, a track taken from their 2017 release “in•ter a•li•a”.   The band reformed in 2015 following the demise of The Mars Volta.

The full animated clip can be seen in the embedded box below. “in•ter a•li•a” is available now on Rise Records.

REAL GONE SAYS:  It’s good to have At The Drive In back…though we’ve never really recovered from their live set at the Reading Festival back in 2000!