DRIVE THRU FACELIFT – Control / Call Him Daddy

Nilagia McCoy can often be found fronting Boston based garage pop/power pop/alternative band The Jacklights. In the main, their Drive Thru Facelift project couldn’t be any more different, stylistically speaking. Billed as “two humans and a drum machine writing a soundtrack for our dystopian times”, the duo explores a sound that blends industrial loops with deep, goth influenced bass grooves, creating a dark yet danceable sound that has a heart in the very early 90s.

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THE JACKLIGHTS – Womanchild / Underachiever

In terms of releasing their debut EP, the timing couldn’t have been any more unfortunate for The Jacklights. The Covid pandemic meant that they couldn’t put in the promotional hard yards in front of a home crowd; instead they were forced to rely on word of mouth and strong online press support to get things rolling. However, those who found the band around that time seemed very supportive, and with good reason. Although a few of the vocals were a little loose, the release showcased a solid band whose stock sounds – falling between classic, US-centric college rock and 90s punk – really delivered in terms of chunky melodies.

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