Check out the new track from The 1957 Tail-Fin Fiasco

The last time most people heard from The 1957 Tail-Fin Fiasco was in the summer of 2018 when they released a stand-alone video single ’39 Grams’.  An odd tune, it side-stepped their usual sunny sounds and Steely Dan obsessions in favour of something with bigger beats and musical quirks. Understandably, the response was mixed.

The band actually sneaked out a new track, ‘Cold Cuts’ – a semi-acoustic number that was a little more traditional – at the beginning of 2020.  They’ve followed ‘Cold Cuts’ with another off-piste affair ‘Dream Pharma’ which is as quirky as it is catchy.

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THE 1957 TAIL-FIN FIASCO – Not For Everyone

It’s May 2017. We’re approaching the halfway point of the year and supposedly knee-deep in a UK springtime. Not that you’d especially spot that by taking any more than a cursory look. For the better part of the past five months, the sky has decided to settle upon the lightly cloudy, with only occasional flashes of blue daring to break up what is otherwise a heavy, milky blanket. It’s also bloody cold; you might even dare call it wintry. In fact, on the surface, pretty much everything looks and feels more like a standard late October than a time that’s laying the groundwork for sun and optimism.

The slightly disappointing weather seems to have had an impact on The 1957 Tail Fin Fiasco too. Once a band guaranteed to bring some westcoast American sunshine despite working from a semi-secret location somewhere in the south east of England, their second full length release is somewhat moodier than expected. There are scraps of Steely Dan and remnants of The Doobie Brothers scattered throughout the ten tracks, except this time around, they’ve cast the net of inspiration far wider and come up with a record that’s steeped in loss and the feelings of what could have been.

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THE 1957 TAIL-FIN FIASCO – The 3 Song Drive EP

tail-fin-epOn their first two releases (2011’s ‘Private Jet Flashback‘ and 2013’s ‘Cruise Control EP‘) The 1957 Tail-Fin Fiasco proved themselves to be masters of retro cool. Armed with a quirky sense of humour and an unhealthy obsession with Steely Dan, the two men at the core of the Fiasco made audiences wonder how such authentically American sounding music could ever have been spawned from the UK. Not only that, but from the wilds of Essex, too – hardly a breeding ground for AM radio pop.

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