Barely three lines into the opening number of his solo debut, experimental musician Max Rael has already embraced differences not being like anyone else and told his audience he feels exhausted. The frankness in which the artist’s neuro divergence is discussed throughout ‘Slightly Less Than Human’ is a signifier of the album’s honest approach as a whole. ‘We Are The Enemy’ isn’t so much a collection of songs; more a world of personal statements, shared with a heart and disarming honesty, but also with the hope that Rael will attract kindred spirits. Obviously, this doesn’t aim for a broad commercial potential, but as albums go, it’s never less than interesting.
Tag Archives: synth
DRAGON WELDING – The Naughty Step
In terms of musical invention, Dragon Welding’s self titled debut from 2019 was a very interesting record. The duo mixed genres with glee: ‘The Builders’ hit the audience with a huge post-punk riff; ‘One Miserable Summer’ flaunted a lo-fi indie sound; ‘Join The Dots’ took the rock-centric core and applied that to a fuzzy backdrop that sounded like a Queens of The Stone Age cast off, and ‘Lament For Common Sense’ closed everything with a seven minute experimental drone owing a little more to Krautrock. Not that any of this prepared their audience for the sonic experiments that would follow. 2021’s completely instrumental ‘Lights Behind The Eyes’ took in elements of post-rock (‘Liquid’), the intricacies of California Guitar Trio (the brilliant title track) and even something that sounded like Mike Oldfield in a very bad mood (‘On’).
RICHARD EVANS – Quantum
When it comes to applying retro synth melodies to compositions that still hold up decades after some their 80s influences have long faded, the work of Richard Evans is hard to beat. His 2023 EP ‘Dream of The World’ brought the classic elements of Jean Michel Jarre and Tangerine Dream’s mid 80s soundtrack works into the then present, and by dropping in a few nods to very early Depeche Mode along the way, the short release also felt a little more lyrical and accessible in a “pop” sense. Part of its appeal also came from the brevity of the release: three songs was enough to get the measure of a great artist, but didn’t allow anything to feel repetitive.
MAX RAEL – Brighter Future / The People Have Won (Persistence Is All)
A key member of industrial project History of Guns and also the experimental band Decommissioned Forests, Max Rael has been a strange enigma within the underground of the UK’s electronica and industrial scenes for a number of years. This solo debut finds him taking a few familiar past traits and twisting them into new shapes, creating something that preaches positivity but contrasts that with a cold, almost bleak backdrop for the world’s entertainment. It’s a contrast that really works.
THE REAL GONE SINGLES BAR #102
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that’ve landed in our inbox over the past few weeks. For our rock loving regulars, this selection offers a great track from Fen man Doug Harrison and some alternative leanings from an up and coming Scottish band. Exploring other genres, there’s a perfect slice of folk, some twisted pop, and even a slab of synth pop from a familiar figure. As always, this is just a small selection of the recent submissions and there will be many more singles shared in the near future. In the meantime, we hope you find something new to enjoy…
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