JUDIE TZUKE – Road Noise: The Official Bootleg

From an historical perspective, Judie Tzuke’s ‘Road Noise: The Official Bootleg’ is an interesting proposition. At the time of its original release in 1982, the double live album format had been dominated by rock bands – it was rare that a contemporary pop artist or singer songwriter would bother with such a release. Also, its extended format had almost become yesterdays news. In a musical landscape populated by synth pop bands and the birth of the New Romantics, the 7” single had once again become king, much as it had been in the early to mid sixties. The decision for Tzuke to release a double platter of live material in the Autumn of ’82 certainly went against the grain.

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Grab ‘Segall Smeagol’, a free download from Ty Segall

At a time when most of the world is under quarantine, we all need entertainment and cult singer songwriter Ty Segall has a gift for everyone.  A surprise release, ‘Segall Smeagol’ features reworkings of six tracks from the Harry Nilsson album  ‘Nilsson Schmilsson’, a classic long player, reworked in Segall’s own style.

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JIM CAPALDI – Oh How We Danced

1972 was a particularly fruitful year for rock and pop music. That year saw The Rolling Stones release their critically acclaimed ‘Exile On Main Street’; Yes explored deep sonic textures on their indulgent ‘Close To The Edge’; Alice Cooper achieved worldwide acclaim and a massive hit single with ‘School’s Out’; Deep Purple gave us ‘Machine Head and Bowie introduced us to ‘Ziggy Stardust’. That might have been enough to make it great, but in addition, Steely Dan made their debut with the brilliant ‘Can’t Buy A Thrill’; Neil Young’s ‘Harvest’ was a massive success and Roxy Music‘s debut album sounded as if it were beamed in from another planet. The year also spawned T. Rex’s ‘The Slider’, Lou Reed’s ‘Transformer’, Stevie Wonder’s ‘Talking Book’, Joni Mitchell’s ‘For The Roses’, Elton’s ‘Honky Chateau’ and Van’s ‘Saint Dominic’s Preview’. With several dozen essential albums, 1972 had so much to give…and often feels like one of those years that keeps giving.

It was also the year that Jim Capaldi released his solo debut. It wasn’t something the Traffic multi-instrumentalist and songwriter had necessarily planned; it came about through a cruel twist of fate. Towards the end of 1971, Traffic were riding high with their fourth studio album ‘The Low Spark of High Heeled Boys’, but disaster struck when Steve Winwood suffered an appendicitis and subsequently became very ill with peritonitis, forcing the band to take a break. Rather than rest, Capaldi took the time to quickly record a selection of his own material during December, and that appeared on record shop shelves as ‘Oh How We Danced’ in March ’72. Kick starting what turned out to be a successful solo career, it had been a serendipitous twist in the Traffic saga.

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Watch: Jack Broadbent shares new video for ‘If’…

Jack Broadbent’s fifth album ‘Moonshine Blue’ was one of the best records of 2019. Stepping aside from the blues music that filled his previous albums, ‘Moonshine Blue’ ushered in a new era for the British singer songwriter. The album shared more in common with James Taylor than Elmore James, but had the potential to open up his talents to a whole new audience.

There were a couple of songs on the album where Jack’s blues influences could be found creeping in, not least of all on ‘If’, which has been chosen as his current single. To accompany the track, a new travelogue styled video has been shared to YouTube and its hazy Instagrammed images are the perfect accompaniment to a great track. You can check it out below.

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Check out the new video from Hailey Beavis

Calling all fans of sophisticated adult pop!  Singer songwriter Hailey Beavis has a new EP scheduled for release before the end of January.  The second release on independent label OK Pal Records – a label founded by Beavis with singer songwriter Faith Elliott – her new single ‘Stranger Inside’ fuses heavy keyboard sounds and a wistful vocal, hinting at a love of pop electronica.

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